The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyrRussell, Charles Edward
History
The hero of the Filipinos : $b The story of José Rizal, poet, patriot and martyr
Russell, Charles Edward
Rizal, José, 1861-1896
With Tiago the lifting of the ban upon Ibarra makes no difference; he
is still anathema to the all-powerful orders. The campaign for Linares
and against Ibarra is waged vigorously with the aid of many candles on
many shrines and the promises of many bombs. At fiestas, it should be
explained, the custom was to burn great quantities of fireworks by day
and night; and the piety of the devout, as expressed in squibs,
crackers, rockets, pin-wheels, and bombs, was supposed to insure their
salvation. In this form of divine worship, the friars had a commercial
interest; it may be believed that if a doubt of its perfect efficacy
occurred to them they managed to master it.
Under the Spanish social system, Philippine maidens of all complexions
married whomsoever their parents told them to marry and silenced their
objections, if they had any; hence, in the Tiago household the
preparations for the marriage of Maria Clara and the half-witted
Linares are urged with a sweet confidence. Maria Clara herself
contributes the only flaw in these proceedings. She falls desperately
ill.
News of her condition is brought to Ibarra by the person in the book
called “the Pilot Elias,” who is one of the pivots on which the
narrative turns. It was Elias that warned Ibarra of the plot to crush
out his life with the corner-stone. In a picnic fishing expedition
Ibarra had saved Elias from the jaws of a cayman (crocodile) and Elias
had sworn his gratitude. He is evidently much above his caste, which is
that of a boatman; he has had an education. In and out of the story he
flits mysteriously until his true vocation is revealed; he is a man
with a history, a victim of the prevailing despotism, forced by his
sufferings to ponder the ills of his people and become at last a
secret, restless, wary, and intelligent agitator against the System of
his day.
It is through him that Rizal voices his protests. As the plot unfolds,
Ibarra wins Elias’ story. We shall repeat it here, but with a preface
of warning. In these times, the average reader, the more if he is an
American, will look upon the tale as a wild extravagance, so easily are
the conditions of one generation obliterated in the next, and so
difficult is it to believe the life of one country is not like the life
of all countries. Yet what Elias is fabled here to have told Ibarra
might have been taken with changes of names from veritable records.
Exactly these things happened in the Philippine Islands in the
nineteenth century, even in the last decade of the nineteenth century.
They happened in many regions and to many persons. Still worse things
happened, if worse can be conceived; for lust and greed and reversion
ran savage riot under two conditions that have always been hothouses
for such growths: autocracy, and distance from the world’s observation.
ELIAS’ STORY
Public-domain text, read in full here on John Shaqi.
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