The little tales which follow, drawn from the most striking and picturesque of the Northern myths, are put together in the simplest possible form, and were written only with a design to make the subject interesting to children. By-and-bye, however, as we through their means become in a slight degree acquainted with the characters belonging to, and the parts played by, the various deities of this mythology, it will not be uninteresting to consider what their meaning may be, and to try if we can trace the connection of one with another. At present it seems best, as an introduction to them--and without it they would be scarcely intelligible--to give a very slight sketch of the Northern mythology, as it is gathered from the earliest Scandinavian sources, as well as a short account of the sources from which it is gathered. Laing, in the introduction to his Translation of the Heimskringla Saga, says,--"A nation's literature is its breath of life, without which a nation has no existence, is but a congregation of individuals. During the five centuries in which the Northmen were riding over the seas, and conquering wheresoever they landed, the literature of the people they overcame was locked up in a dead language, and within the walls of monasteries. But the Northmen had a literature of their own, rude as it was." Songs and sagas, mythical and heroic, were the staple of this literature of the north; and these appear to have been handed down by word of mouth from skald to skald until about the beginning of the twelfth century. Then Sæmund the Learned, and others, began to commit them to writing. Sæmund the Learned was born in Iceland about the year 1057, fifty years after Christianity had been positively established in that island. He passed his youth in Germany, France, and Italy, studying at one time with a famous master, "by whom he was instructed in every kind of lore." So full, indeed, did Sæmund's head become of all that he had learnt, that he frequently "forgot the commonest things," even his own name and identity, so that when asked who he was, he would give the name of any one he had been reading about. He was also said to be an astrologer, and a charming little anecdote is related of him in this capacity, which, however, would be out of place here. When he went back to Iceland, he became priest of Oddi, instructed the people about him, studied the old religion, and, besides writing a history of Norway and Iceland, which has been lost, transcribed several of the mythic and heroic songs of the North, which together form a collection known by the name of the _Poetic_, _Elder_, or _Sæmund's Edda_. The songs themselves are supposed to date from about the eighth century; Sæmund wrote them down in the twelfth. The oldest copy of his original MS. is of the fourteenth century, and this copy is now in the Royal Library of Copenhagen. A few years ago they were translated into English by B. Thorpe. So much for the history of the