TANS. Thou dost well conclude that poetry is not born in rules, or only
slightly and accidentally so; the rules are derived from the poetry, and
there are as many kinds and sorts of true rules as there are kinds and
sorts of true poets.
CIC. How then are the true poets to be known?
TANS. By the singing of their verses; in that singing they give delight,
or they edify, or they edify and delight together.
CIC. To whom then are the rules of Aristotle useful?
TANS. To him who, unlike Homer, Hesiod, Orpheus, and others, could not
sing without the rules of Aristotle, and who, having no Muse of his own,
would coquette with that of Homer.
CIC. Then they are wrong, those stupid pedants of our days, who exclude
from the number of poets those who do not use words and metaphors
conformable to, or whose principles are not in union with, those of
Homer and Virgil; or because they do not observe the custom of
invocation, or because they weave one history or tale with another, or
because they finish the song with an epilogue on what has been said and
a prelude on what is to be said, and many other kinds of criticism and
censure, from whence it seems they would imply that they themselves, if
the fancy took them, could be the true poets; and yet in fact they are
no other than worms, that know not how to do anything well, but are born
only to gnaw and befoul the studies and labours of others; and not being
able to attain celebrity by their own virtue and ingenuity, seek to put
themselves in the front, by hook or by crook, through the defects and
errors of others.
TANS. Now, to return from this long digression, I say that there are as
many sorts of poets as there are human sentiments and ideas; and to
these it is possible to adapt garlands, not only of every species of
plant, but also of other kinds of material. So the crowns of poets are
made not only of myrtle and of laurel, but of vine leaves for the
white-wine verses, and of ivy for the bacchanals; of olive for sacrifice
and laws; of poplar, of elm, and of corn for agriculture; of cypress for
funerals, and innumerable others for other occasions; and, if it please
you, also of that material signified by a good fellow when he exclaimed:
O Friar Leek! O Poetaster!
That in Milan didst buckle on thy wreath
Composed of salad, sausage, and the pepper-caster.
Public-domain text, read in full here on John Shaqi.
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