Here his love is entirely heroic and divine, and as such, I wish it to
be understood; although he says that through it he is subject to many
pangs, every lover who is separated from the thing loved (to which being
joined by affection he would also wish to be actually), being in anguish
and pain, he torments himself, not forsooth because he loves, since he
feels his love is engaged most worthily and most nobly, but because he
feels deprived of that fruition which he would obtain if he arrived at
that end to which he tends. He suffers, not from the desire which
animates him, but from the difficulty in the cultivation of it which so
tortures him. Others esteem him unhappy through this appearance of an
evil destiny, as being condemned to these pangs, for he will never cease
from acknowledging the obligation he is under to love, nor cease from
rendering thanks to him because he has presented before the eyes of his
mind such an intelligible conception through which, in this earthly
life, shut in this prison of the flesh, wrapped in these nerves and
supported by these bones, it is permitted to him to contemplate the
divinity in a more suitable manner than if other conceptions and
similitudes than these had offered themselves.
CIC. The divine and living object, then, of which he speaks, is the
highest intelligible conception that he has been able to form to himself
of the divinity, and is not some corporeal beauty which might overshadow
his thought and appear superficially to the senses.
TANS. Even so; because no tangible thing nor conception of such can
raise itself to so much dignity.
CIC. Why, then, does he mention that conception as the object, if, as
appears to me, the true object is the divinity itself?
Public-domain text, read in full here on John Shaqi.
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