Adieu, then, ye dear romances, adieu for ever. No more shall I
sympathize with your heroines, while they faint, and blush, and weep,
through four half-bound octavos. Adieu ye Edwins, Edgars, and Edmunds;
ye Selinas, Evelinas, Malvinas; ye inas all adieu! The flames will
consume you all. The melody of Emily, the prattle of Annette, and the
hoarseness of Ugo, all will be confounded in one indiscriminate
crackle. The Casa and Castello will blaze with equal fury; nor will the
virtue of Pamela aught avail to save; nor Wolmar delighting to see his
wife in a swoon; nor Werter shelling peas and reading Homer, nor
Charlotte cutting bread and butter for the children.
You, too, my loved governess, I regret extremely.
Adieu.
CHERUBINA.
LETTER II
It was not till this morning, that a thought of the most interesting
nature flashed across my mind. Pondering on the cruel conduct of my
reputed father, in having burnt my novels, and discharged you, without
even allowing us to take a hysterical farewell, I was struck with the
sudden notion that the man is not my father at all. In short, I began
with wishing this the case, and have ended with believing it. My
reasons are irresistible, and deduced from strong and stubborn facts.
For, first, there is no likeness between this Wilkinson and me. 'Tis
true, he has blue eyes, like myself, but has he my pouting lip and
dimple? He has the flaxen hair, but can he execute the rosy smile?
Next, is it possible, that I, who was born a heroine, and who must
therefore have sprung from an idle and illustrious family, should be
the daughter of a farmer, a thrifty, substantial, honest farmer? The
thing is absurd on the face of it, and never will I tamely submit to
such an indignity.
Full of this idea, I dressed myself in haste, resolving to question
Wilkinson, to pierce into his inmost soul, to speak daggers to him; and
if he should not unfold the mystery of my birth, to fly from his house
for ever. With a palpitating heart, I descended the stairs, rushed into
the breakfast-room, and in a moment was at the feet of my persecutor.
My hands were folded across my bosom, and my blue eyes raised to his
face.
'Heyday, Cherry,' said he, laughing, 'this is a new flourish. There,
child, now fancy yourself stabbed, and come to breakfast.'
'Hear me,' cried I.
'Why,' said he, 'you keep your countenance as stiff and steady as the
face on our rapper.'
'A countenance,' cried I, 'is worth keeping, when the features are a
proof of the descent, and vindicate the noble birth from the baseness
of the adoption.'
'Come, come,' said he, 'your cup is full all this time.'
'And so is my heart,' cried I, pressing it expressively.
'What is the meaning of this mummery?' said he.
'Hear me, Wilkinson,' cried I, rising with dignified tranquillity.
'Candor is at once the most amiable and the most difficult of virtues;
and there is more magnanimity in confessing an error, than in never
committing one.'
Public-domain text, read in full here on John Shaqi.
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