'This is no castle,' said he, 'but Covent Garden Theatre.'
'And you?' asked I with anxiety.
'Am an actor,' answered he.
'And your name?'
'Is Abraham Grundy.'
'Then, Mr. Abraham Grundy,' said I, 'allow me to have the satisfaction
of wishing you a very good evening.'
'Stay!' cried he, detaining me, 'and you shall know the whole truth. My
birth is illustrious, and my real name Lord Altamont Mortimer
Montmorenci. But like you, I am enveloped in a cloud of mysteries, and
compelled to the temporary resource of acting. Hereafter I will
acquaint you with the most secret particulars of my life; but at
present, you must trust to my good faith, and accept of my protection.'
'Generous Montmorenci!' exclaimed I, giving him my hand, which he
pressed upon his heart.
'Now,' said he, 'you must pass at these lodgings as my near relation,
or they will not admit you.'
At first, I hesitated at deviating from veracity; but soon consented,
on recollecting, that though heroines begin with praising truth,
necessity makes them end with being the greatest story-tellers in the
world. Nay, Clarissa Harlowe, when she had a choice, often preferred
falsehood to fact.
During our walk to the lodgings, Montmorenci instructed me how to play
my part, and on our arrival, introduced me to the landlady, who was
about fifty, and who looked as if the goddess of fasting had bespoken
her for a hand-maid.
With an amiable effrontery, and a fine easy flow of falsehood, he told
her, as we had concerted, that I was his second cousin, and an orphan;
my name Miss Donald (Amanda's assumed name), and that I had come to
Town for the purpose of procuring by his interest, an appointment at
the Theatre.
The landlady said she would move heaven and earth, and her own bed, for
so good a gentleman; and then consented to give me her sleeping-room on
the ground-floor, at some trifle or other,--I forget what. I have also
the use of a parlour adjoining it. There is, however, nothing
mysterious in these chambers, but a dark closet belonging to the
parlour, whither I may fly for refuge, when pursued by my persecutors.
Thus, my friend, the plot of my history begins to take a more
interesting shape, and a fairer order of misfortune smiles upon me.
Trust me, there is a taste in distress as well as in millinery. Far be
from me the loss of eyes or limbs, such publicity as the pillory
affords, or the grossness of a jail-fever. I would be sacrificed to the
lawless, not to the laws, dungeoned in the holy Inquisition, not
clapped into Bridewell, recorded in a novel, not in the Newgate
Calender. Were I inelegantly unhappy, I should be wretched indeed.
Yes, my Biddy, sensations hitherto unknown now heave my white bosom,
vary the carnation of my cheeks, and irradiate my azure eyes. I sigh,
gaze on vacancy, start from a reverie; now bite, now moisten my coral
lip, and pace my chamber with unequal steps. Too sure I am deeply,
distractedly in love, and Altamont Mortimer Montmorenci is the first of
men.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account