The Hidden Force: A Story of Modern JavaCouperus, Louis
History
The Hidden Force: A Story of Modern Java
Couperus, Louis
Java (Indonesia) -- History -- 19th century -- Fiction
Next morning Theo went in the landau to fetch his step-mother from
the station at half-past eleven.
Van Oudijck, who was in the habit of taking the police-cases at that
hour, had made no suggestion to his son; but, when from his office he
saw Theo step into the carriage and drive off, he thought it nice of
the boy. He had idolized Theo as a child, had spoilt him as a lad,
had often come into conflict with him as a young man; but the old
paternal fondness still often flickered up in him, irresistibly. At
this moment he loved his son better than Doddie, who had maintained
her sulky attitude that morning and had put no flowers in his wife's
room, so that he had ordered Kario to see to them. He now felt sorry
that he had not said a kind word to Theo for some days and he resolved
to mend matters at once. The boy was scatter-brained: in three years
he had been employed on at least five different coffee-plantations;
now he was once more without a berth and was hanging around at home,
looking out for something else.
Theo had not long to wait at the station before the train arrived. He
at once saw Mrs. van Oudijck and the two little boys, René and
Ricus--two little half-castes, as compared with himself--whom she was
bringing back from Batavia for the long holidays, and her maid, Oorip.
Theo helped his step-mother to alight; the station-master offered
a respectful greeting to the wife of his resident. She nodded in
return with her queenly smile. Still smiling, a trifle ambiguously,
she allowed her step-son to kiss her on the cheek. She was a tall
woman, with a fair complexion and fair hair; she had turned thirty
and possessed the languid dignity of women born in Java, daughters of
European parents on both sides. Something about her attracted attention
at once. It was perhaps her white skin, her creamy complexion, her
very light fair hair, her strange grey eyes, which were sometimes a
little pinched and always wore an ambiguous expression, or it might
be her eternal smile, sometimes very sweet and charming and often
insufferable and tiresome. One could never tell at the first sight of
her whether she concealed anything behind that glance, whether there
was any depth, any soul behind it, or whether it was merely her look
and her laugh, both of them slightly equivocal. Soon, however, one
perceived an observant indifference in her smiles, as though there
were very little that she cared for, as though it would hardly matter
to her should the heavens fall, as though she would watch the event
with a smile.
Public-domain text, read in full here on John Shaqi.
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