The Hidden Force: A Story of Modern JavaCouperus, Louis
History
The Hidden Force: A Story of Modern Java
Couperus, Louis
Java (Indonesia) -- History -- 19th century -- Fiction
The full moon wore the hue of tragedy that evening. It had risen
early, during the last glimmer of daylight, in the semblance of a
huge, blood-red ball, and, flaming like a sunset low down behind the
tamarind-trees in the Lange Laan, it was ascending, slowly divesting
itself of its tragic complexion, in a pallid sky. A deathly stillness
lay over all things like a veil, as though, after the long mid-day
siesta, the evening rest were beginning without an intervening period
of life. Over the town, whose white villas and porticoes lay huddled
amid the trees of the lanes and gardens, hung the windless oppression
of the evening air, as though the listless night were weary of the
blazing day of eastern monsoon. The houses, from which not a sound
was heard, shrank away, in deathly silence, amid the foliage of their
gardens, with their evenly-spaced, gleaming rows of great whitewashed
flower-pots. Here and there a lamp was already lit. Suddenly a dog
barked and another answered, rending the muffled silence into long,
ragged tatters: the dogs' angry throats sounded hoarse, panting,
harshly hostile; then they, too, suddenly fell silent.
At the end of the Lange Laan the Residency lay far back in its
grounds. Low and vivid in the darkness of the banyan-trees, it
lifted the zig-zag outline of its tiled roofs, one behind the other,
against the dark background of the garden, with one crude line of
letters and numerals that dated the whole: a roof over each gallery
and verandah, a roof over each room, receding into one long outline
of irregular roofs. In front, however, rose the white pillars of the
front verandah, and the white pillars of the portico, gleaming tall
and stately, set far apart, with a large, welcoming spaciousness,
making the roomy entrance impressive as a palace doorway. Through
the open doors the central gallery was seen in dim perspective,
running through to the back, lit by a single flickering light.
A native messenger was lighting the lanterns beside the
house. Semicircles of great white pots with roses and chrysanthemums,
with palms and caladiums, curved widely to right and left in front of
the house. A broad gravel path formed the drive to the white-pillared
portico; next came a wide, parched lawn, surrounded by flower-pots,
and, in the middle, on a carved stone pedestal, a monumental vase,
holding a tall latania. The only fresh green was that of the meandering
pond, on which floated the giant leaves of a Victoria Regia, huddled
together like round green tea-trays, with here and there a bright
lotus-like flower between them. A path wound beside the pond; and
on a circular space paved with pebbles stood a tall flag-staff, with
the flag already hauled down, as it was every day at six o'clock. A
plain gate divided the grounds from the Lange Laan.
Public-domain text, read in full here on John Shaqi.
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