of sugar-carts, drawn by the superb oxen, with glossy brown hides, had brought an ever-increasing store of canes over the fibre-covered road, which was cut to pieces by the broad cart-ruts; when the seed had been bought for next year and the machines were stopped: then came the sudden relaxation after the incessant labour, the long, long holiday, the many months' rest, the craving for festivity and enjoyment; the big dinner given by the lady of the house, followed by a ball and tableaux-vivants; the whole house full of visitors, who stayed on and on, known and unknown; the old, wrinkled grandmamma, the landowner, the raden-aju, Mrs. de Luce, whatever you liked to call her, always amiable, with her dull eyes and her betel-stained mouth, amiable to one and all, with always an anak-mas, a "golden child," a poor little adopted princess at her heels, carrying a gold betel-box behind the great princess from Solo: a slender little woman of eight years old, her front hair cut into a fringe, her forehead whitened with moist rice-powder, her already rounded little breasts confined in the little pink silk kabaai, with the miniature gold sarong round the slender hips; a doll, a toy for the raden-aju, for Mrs. de Luce, for the Dowager de Luce. And for the compounds there were the popular rejoicings, a time-honoured lavishness, in which all Patjaram shared, according to the age-old tradition which was always observed, despite any crisis or unrest. The milling-season and the rejoicings were now over. There was comparative peace indoors; and a languorous Indian calm had set in. But Mrs. van Oudijck, Theo and Doddie had come over for the festivities and were staying on a few days longer at Patjaram. A great circle of people sat round the marble table covered with glasses of syrup, lemonade and whisky-and-soda; they did not speak much, but rocked luxuriously, exchanging an occasional word. Mrs. de Luce and Mrs. van Oudijck spoke Malay, but were not talkative. A gentle, good-humoured boredom drifted down on all these rocking people. It was strange to see the different types: the pretty, milk-white Léonie beside the yellow, wrinkled raden-aju-dowager; Theo, pale and fair as a Dutchman, with his full, sensual lips, which he inherited from his half-caste mother; Doddie, already looking like a ripe rose, with the sparkling irises and black pupils of her black eyes; the manager's son, Achille de Luce, brown, tall and stout, whose thoughts ran only on his machinery and his seed; the second son, Roger, brown, short and thin, the book-keeper, whose thoughts ran only on the year's profits, with his little Armenian wife; the eldest daughter, old already, brown, stupidly ugly, with her full-blooded Dutch husband, who looked like a peasant; the other sons and daughters, in every shade of brown, not easily to be distinguished one from the other; around them the children, the grandchildren, the little, golden-skinned adopted children, the babus, the lories and