The High Place: A Comedy of DisenchantmentCabell, James Branch
Science
The High Place: A Comedy of Disenchantment
Cabell, James Branch
Fantasy fiction; Historical fiction; Middle Ages -- Fiction
“But your powers of sending and perverting and blighting and so on,” he
said,—“are none of these to be enlisted in my favor?”
“Not against Hoprig,” she replied, “for the elect have that invincible
unreason and stupidity against which alone our powers are feeble. No,
my dearest, I cannot aid you. For these saints are stronger than we
are: and in the end, whatever grounds they may afford us for contempt
or for laughing at them, they conquer us.”
It was in some sort a relief to know there was not hope anywhere.
Florian spoke now with more animation. “No, Marie-Claire. Even at the
last let us adhere to logic! These saints do not conquer; they destroy
us, that is all. The ruthless power of holiness is strong enough for
that, but it is not strong enough to hold me, not for one instant, in
subjection.”
“Ah, and must you still be playing, dear boy that was, at being a most
tremendous fellow?” she said, still smiling very tenderly. “Heaven will
destroy you, then: and this is the hour of your return, the hour which
I once prophesied, the hour which comes—so unportentously!—to end our
living. So let us not waste that hour in quibbles.”
“You are so practical,” he lamented, “and with all that is lovable
you combine such a dearth of admirable sentiments. In brief, you are
Puysange.”
She said pensively: “You were not lonely in my little time of
happiness. You would not ever have been lonely with me.”
“Have you divined that also, Marie-Claire? Yes, it has been lonely.
I have had many friends and wives and mistresses. Perhaps I have had
everything which life has to give—”
Florian sat looking moodily at two queer drawings done in red and black
upon the plaster of the wall: one represented a serpent swallowing
rods, the other a serpent crucified. Beneath these drawings was a dark
shining stone, and in its gleaming he saw figures move.
Florian turned, and said without any apparent emotion: “But I have
lived quite alone, with no comprehension of anyone, and with so much
distrust of everybody! And now it is too late.”
She considered this: she spread out her hands, smiling without mirth.
“Yes, it is too late, even with me. Nothing is left, where all was
yours once, Florian. I seem a husk. I do not either love or hate
you any longer. Only,”—again that dark blind staring puzzled over
him,—“only, it is not you who wait here in this fine black suit.”
That made him too smile, and shrug a little. “It is what remains of
me, my dear,—all that remains anywhere to-day. Such is the end of every
person’s youth and passion. I sometimes think that we reside in an
ill-managed place. For look, Marie-Claire!” He waved toward the window,
made up of very small panes of leaded glass, through which you saw the
first vaporous green of the low fruit trees and much sunshine. “Look,
Marie-Claire! spring is returning now, on every side. That seems so
tactless.”
Public-domain text, read in full here on John Shaqi.
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