She walked with what dignity she could muster, very white, very quiet. She
had no sense of being outraged; her father's manner and conduct toward her
did not matter. They did not exist. She walked slowly, head erect, and
entered the library. Cantor stood expectant.
He bowed gravely. "Good afternoon," he said, courteously.
"Here she is," von Essen bellowed. "I've put an end to her tricks. It will
be yes or no _now_--and it won't be no."
She looked at him curiously, then turned her eyes upon Cantor. "I
understand you've changed your offer again," she said, quietly. "You're
for marrying me once more."
"I'm for having you however I can get you," he said, with a smile. "One
hesitates to speak of love with a third party present, even if the third
party is the father...."
"_Love!_" she said.
He shrugged his shoulders. "Love means different things to different
people.... I want you. For me that is love. I want you so much that I have
been patient. I've courted you patiently, haven't I?"
She spoke without volition, automatically, almost as if the words had been
caused to issue from her lips by some ventriloquist. "Under what name do
you want to marry me? Cantor or Adolf von Arnheim?"
He stiffened into immobility; not even his eyes seemed alive. His face,
naturally without color, lost even the tint which it possessed. In an
instant he was transformed. He was not the careless, mocking-courteous
lover; he was another man, a man of stern military bearing, a man of
purpose, a man ruthless in carrying out that purpose. Hildegarde knew she
was seeing the true Cantor at last, and she liked him better. She saw him
infinitely capable, a man to dare and to accomplish, a man to be trusted
by high authority with a mission of life or death. She almost admired him
in that moment.
He remained motionless, and she knew he was not thinking of her. He was
thinking of his work and what this meant to his work. He had dropped the
moment and was weighing keenly, ably, the circumstance, and planning what
he must do as a result of it. Somehow she felt he experienced no fear, no
emotion of any sort. He merely _thought_. His reaction was purely
intellectual.
"Where did you hear that name?" he asked, presently.
He did not ask it of the woman he loved, but of _a_ woman, any woman, a
woman in his power, bound, capable of being made to speak by means not
shrunk from by the German mind. She was not an individual to him, not
Hildegarde von Essen, but merely a woman who must be dealt with.
"I dreamed it," she said.
"Where did you hear that name?" he repeated, and moved toward her. She
retreated behind a great table, placing it between herself and Cantor. Her
father stood uncomprehending, working himself into a passion, his florid
face growing red and redder, his breath becoming more labored, the veins
upon his forehead standing out with unsavory distinctness.
"I sha'n't tell you," she said.
"Whom have you seen? Whom have you talked with?"
"Nobody."
Public-domain text, read in full here on John Shaqi.
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