Potter appeared in the doorway and stopped abruptly as his eyes found her.
It was the sincerest tribute. He felt as if some potent current had darted
out from her to touch him with its mysterious force--almost as if it
arrested his heart an instant and made it skip a beat.... That was the way
she looked; not dazzlingly beautiful; the effect was not that of beauty,
but of something more compelling, more thrilling. It was rather as if
Youth in person advanced to meet him--throbbing, eager, glowing Youth;
neither masculine nor feminine, but the personification of everything
young, ardent, breathless, fearless.
"I'm early," she said, "but I _had_ to come. I hardly slept all night for
thinking about it."
He advanced, finding that he very much wanted to take her hand, and she
looked up into his face and laughed impishly, for it was plain reading to
her that she had startled this young man and unsettled his equilibrium.
"Come in," he said, rather stupidly. "We've been tinkering, but we're
nearly ready now, I guess." He knew it was hardly the thing to say to such
a magical creature, but it was the best he could do.
She walked to the machine and patted the tip of its wing. "We're going to
be friends, aren't we?" she said to it, and smiled up at Potter again.
"How do I get in? Where do I sit?" Her voice was eager.
It had been in his mind before she came to try to persuade her against the
flight; to show her the inadvisability of it, especially in the face of
her father's attitude toward him. He did not make the effort now. It
seemed futile, not to be considered, so he helped her to her place
silently. "Ready?" he asked one of the men in overalls who were going
fussily about the 'plane, touching wires, testing braces.
"Ready, sir."
Potter looked at Hildegarde. No trace of fear or nervousness was visible,
nor was she calm. Her eyes danced with excitement, her face was alight
with gay eagerness. "I don't suppose I could drive it, could I?" she
asked.
"Well, _hardly_," Potter said.
"I'd love to. I'm sure I could."
"This is your excursion," he said, disregarding her manifest desire to
become pilot of the craft. "What part of the earth shall we fly over?"
"It's to be a good, long fly, you know," she said. "Not just up and down
like those twenty-five-dollars-a-ride things we had here last year. I want
to go miles and miles.... Let's go right across the lake to the Flats and
then swing around and come home over Mount Clemens. Can we do that?"
"I have made that circle."
"What do I do?"
"Sit still and hang on. There's no promenade-deck to this ship--no
orchestra and no dancing."
"Are you a dancing-man?"
"Far from it. The _thé dansant_ is too dangerous for me. I don't speak the
language."
"I _love_ to dance," she said. "I don't know that the language is more
difficult than the one you speak while we dance on the floor above.
'Waiter, another round of cocktails.'"
Public-domain text, read in full here on John Shaqi.
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