The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
The Chisholm preserves, or at least did at one time preserve a relic
believed to be of great antiquity. It is a chanter which is supposed to
have a peculiar faculty of indicating the death of the chief by
spontaneously bursting, and after each fracture it is carefully repaired
by a silver fillet, which is an improvement on the original method of
mending with a leathern throng. The family piper, when from home at a
wedding, heard his chanter crack, and at once started up, saying he must
return, for The Chisholm was dead. And he was.
But the most famous of all such articles is “The Black Chanter of Clan
Chattan.” This is a relic of the fight between the Clan Quhele and the
Clan Yha on the North Inch of Perth in 1396. It is made of _lignum
vitæ_, and, according to tradition is endued, with magical powers. About
the end of the battle, so the tradition goes, an aerial minstrel was
seen hovering over the heads of the Clan Chattan, who, after playing a
few wild notes on his pipes, let them drop to the ground. Being made of
glass, they all broke except the chanter, which was made of wood. The
Clan Chattan piper secured the chanter, and, though mortally wounded, he
continued playing the pibroch of his clan until death silenced him. Some
traditions say the original chanter was made of crystal, and, being
broken by the fall, that now existing was made in exact fac-simile,
others that the cracks now seen were those the chanter received on
falling to the ground. In any case, the possession of this particular
chanter was ever after looked on as ensuring success, not only to the
Mac Phersons, but to any one to whom it happened to be lent. The Grants
of Strathspey once received an insult, through the cowardice of some
unworthy members of their clan, and in their dejection they borrowed the
Black Chanter, the war notes of which roused their drooping energies and
stimulated them to such vigour that it became a proverb from that time,
“No one ever saw the back of a Grant.” The Grants of Glenmoriston
afterwards received it, and they restored it to the Mac Phersons about
1855. It is still carefully preserved at Cluny Castle, and some
entertain the belief that on its preservation depends the property of
the house of Cluny.
Public-domain text, read in full here on John Shaqi.
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