The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
The Black Chanter seems to have kept its magic power, for, during all
the troubles of the ’45, Cluny Mac Pherson accompanied Prince Charlie in
his victories and helped him much by his own and his followers’ bravery.
But when the final blow was given to the fortunes of Charles Edward at
Drummossie Moor, the Mac Phersons were not there, and it is said that
before the battle an old witch told the Duke of Cumberland that if he
waited until the green banner and the Black Chanter came up he would he
defeated. The battle was over before Cluny arrived, for he was met by
the fugitives when on his way from Badenoch to join the Prince. The Mac
Intoshes, who claim that their chief is the chief of the Clan Mac
Pherson, were at Culloden and in the thickest of the fight, but they had
not the Black Chanter, and so they, too, shared in the defeat. It is
certainly curious that no battle at which the Mac Phersons were present
with the green banner of the clan, the Black Chanter, and the chief at
their head, was lost. We do not, of course, believe in this phase of the
supernatural nowadays, and it has been irreverently asserted that this
particular chanterwill not play, that a piper of Cluny’s who was in the
service of the chief for seven years testified to this, and that it is
nothing more nor less than a chanter that has been spoiled in the
making. We do not contend that it really had supernatural powers—the
probability is all the other way—but when the clan believed it had,
that, by inspiring them with confidence, perhaps served the same
purpose. Many clans and peoples find inspiration in that which to the
sceptical and hypercritical is but a fetish, and though we may smile at
old-time stories of the supernatural, we should remember that those
things were not smiling matter to the people of those days, and that the
people who live as long after us as we live after those who believed in
fairies and other uncanny things are almost sure to find much more to
laugh at in our practice and beliefs than we find in the practice and
beliefs of our ancestors. Meantime, let us close with a piece as grand
as ever was written in any language, dedicated to Culloden and the Black
Chanter of Chattan by Mrs. Ogilvie—remembering that the past deserves
our respect, not only for the brave people it produced, but also for the
legacy of enjoyable song and poetry and tradition it has handed down to
us—
“Black Chanter of Chattan now hushed and exhausted,
Thy music was lost with the power of the Gael;
The dread inspiration Mac Pherson had boasted
For ever expired in Drummossie’s sad wail.
“On old St. Johnstone’s dark meadow of slaughter
Thy cadences buried the piper’s last breath;
The vanquished escaped amid Tay’s rolling water,
The conqueror’s pibroch was silenced by death.
Public-domain text, read in full here on John Shaqi.
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