The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
This had the inevitable result. The lights went out with a fiery hissing
sound, the party vanished, as well as the gorgeous hall, and when Jock
again came to himself he found that he was on the top of an elf-haunted
knowe in the vicinity. He had been a year and a day away from home, his
friends had given him up as dead, and his features were so changed that
they did not recognise him when he returned. With the long spell of
blowing his mouth was distended, which also helped to disguise him. But
he made himself known, and was duly received by his friends and his
sweetheart, and he married shortly after. But, as J. T. Calder, the
historian of Caithness, who tells the legend in rhyme, says—
“Never after was he seen to enter
The enchanted cave in quest of fresh adventure.”
A slight variation of the cave stories are the stories of underground
passages. There is, for instance, the passage that is supposed to exist
between Edinburgh Castle and Holyrood Palace. The piper went in at the
Castle end, intending to play all the way to Holyrood. His pipes were
heard as far as the Tron Church, but then the music ceased. It did not
start again, and the piper was never more heard of.
A similar legend is referred to by Hugh Mac Donald in his ramble,
_Rutherglen and Cathkin_. It is to the effect that Glasgow Cathedral was
built by the “wee pechs (Picts) who had their domicile in Rutherglen.”
Instead, however, of making their journeys overland, they dug an
underground passage, through which they came and went. Even in Mac
Donald’s youth, those who doubted this story were silenced and awed by
the solemn assurance that a Highland piper, to put down the sceptics,
had volunteered to explore the dark road. He was accompanied by his dog,
and he entered playing a cheery tune, as if confident of a successful
result. But “he was never seen or heard tell o’ again.” Only the sound
of his pipes was heard as he passed underneath Dalmarnock, playing in a
mournful key, which suggested the words, “I doot, I doot, I’ll ne’er get
oot.” Another version tells, however, that his poor dog returned, but
without its skin. According to a Glasgow ballad, it was a dominie who
ventured to explore the secret path. He encountered the Deil and other
“friends,” who blew him up through the waters of the Clyde, and the
point at which he emerged is known to this day as “The Dominie’s Hole.”
CHAPTER XVIII.
THE HEREDITARY PIPERS.
“’Tis wonderful,
That an invisible instinct should frame them,
To loyalty unlearned; honour untaught;
Civility not seen from others; valour
That wildly grows in them, but yields a crop
As if it had been sowed.”
—_Shakespeare._
Public-domain text, read in full here on John Shaqi.
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