The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
Hereditary in two senses—When they ceased—The Mac Crimmons—A
traditional genealogy—A Mac Gregor tradition—The Mac Crimmon
College—Dr. Johnson—College broken up—An Irish college—Its system—A
Mac Crimmon’s escapades—Respect for the Mac Crimmons—The Rout of
Moy—The last of the race—How they excelled—The Mac Arthurs—The Mac
Intyres—The Mac Kays—The Rankins—The Campbells—The Mac Gregors.
The hereditary pipers were hereditary in at least two senses. They were
hereditary because son followed father, generation after generation, in
the service of one chief, no one disputing their claim to the
succession. But they were also hereditary in the sense that their
talents were not self-acquired. They came of a race of pipers, and
piping to them was hereditary. Seven generations of pipers for ancestors
and seven years of personal training were considered necessary to
produce the true hereditary piper. It is this to which Neil Munro
alludes when he says—“To the make of a piper go seven years of his own
learning and seven generations before.”
The hereditary pipers were second only to the chiefs of the various
clans, and their fame has come down through the years with wonderful
persistence. The chiefs were proud of their pipers and treated them as
gentlemen. The pipers, on their part, were proud of their chiefs, and
would do anything for them. Hereditary pipers existed until the passing
of the Heritable Jurisdiction Abolition Act of 1747, which, by
abolishing clanship, made the possession of a retinue by a chief an
offence against the civil law. The chiefs then deprived their pipers of
the lands they had formerly held by virtue of their office, and by that
act degraded them to the level of ordinary musicians. And, with the
absence of a sure position, the enthusiasm for pipe music dwindled,
succeeding generations failed to attain to the high level of their
forebears, and the hereditary pipers were merged in the general race of
Highland musicians.
The greatest of the hereditary pipers were
THE MAC CRIMMONS,
pipers to Mac Leod of Dunvegan. There is nothing to show how or where
the race originated. Some traditions state that the first Mac Crimmon
came from Cremona in Italy, and was named Donald. He settled in Glenelg,
and had a son named _Iain Odhar_, who, about 1600, became the first
piper to the family of Mac Leod. This traditional genealogical tree,
supplied originally by a man who had seen the wife of him who, according
to the tradition, was the last of the Mac Crimmon pipers to Mac Leod of
Mac Leod, shows that a direct descent from this _Iain Odhar_ was:—
[Illustration:
SUPPOSED TO REPRESENT A MAC CRIMMON PLAYING A SALUTE
(From _Mac Ian’s Clans_.)
]
Malcolm, married, with issue:—
1. John, who succeeded him as piper.
2. Donald (Roy), D.S.P.
3. Rachel, who married in Glendale.
4. A daughter who died unmarried.
John (_Dubh_) married first a Mac Askill, with issue:—
Public-domain text, read in full here on John Shaqi.
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