The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
It were vain to attempt to acknowledge indebtedness to books or to men.
Every available book bearing on the subject even in the most indirect
way has been consulted, in many cases read. A great deal of the material
used is of course common to all Highland literature, and one book cannot
be quoted more than another. With men it is equally impracticable to
give names. So many have helped, so many have written giving additional
bits of information or suggesting improvements, so many have, in reply
to requests, kindly supplied matter dealing with phases of the subject
on which they have intimate knowledge, that one could not do justice to
all without naming all. Still, while this may not be done, I cannot
possibly refrain from saying that without the assistance given by Mr.
Henry Whyte (“Fionn”) in matters of Highland history and questions
connected with the Gaelic language, the book could hardly have been
published; while Mr. John Mac Kay, editor of the _Celtic Monthly_, in
throwing open to me his valuable library of Celtic literature, did very
much to lighten my labours. This, I think, is all I can safely say. If I
said more, I would have to say so very much.
W. L. M.
GLASGOW, _April 27, 1901_.
Contents.
PAGE
CHAPTER I.—TUNING UP, 9
“A Hundred Pipers”—Scotland becoming Cosmopolitan—The War spirit of the
Pipes—Regiments, not Clans—Annual Gatherings—Adaptability of Pipes—
Scots folk from Home—An aged Enthusiast—Highlands an Extraordinary
Study—Succession of Chiefs—Saxon introduced—Gaelic printed—Highlands
in 1603—The Mac Neills of Barra—Highland hospitality.
CHAPTER II.—HARPERS, BARDS, AND PIPERS, 18
Ancient musical instruments—Priestly harpers—Hereditary harpers—Irish
_versus_ Scottish harpers—Royal harpers—Use of harp universal—Welsh
sarcasm—Mary Queen of Scots’ harp—The last of the harpers—“The Harper
of Mull”—From harp to pipes—The _clarsach_—Pipes supplanting bards—
The last clan bard—Bardic customs—Bards’ jealousy of pipes—The bard
in battle—Duncan Ban Mac Intyre—Two pipers scared—When the pipes
became paramount—The fiery cross—The coronach.
CHAPTER III.—THE TALE OF THE YEARS, 30
The time of the Flood—Pipes in Scripture—In Persia—In Arabia—In Tarsus—
Tradition of the Nativity—In Rome—In Greece—In Wales, Ireland, and
Scotland—Melrose Abbey—In France—In England—At Bannockburn—Chaucer—In
war—First authentic Scottish reference—Oldest authentic specimen—
Became general—Rosslyn Chapel—Second drone added—At Flodden—“A maske
of bagpypes”—Spenser—Shakespeare—James VI.—A poetical historian—Big
drone added—The ’45—Native to Scotland—The evolution of the
Highlands.
Public-domain text, read in full here on John Shaqi.
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