The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
The last battle at which a bard recited was fought in 1411, the last
clan bard died in 1726, the last clan harper in 1739, when the
hereditary pipers were in all their glory; the fiery cross was last used
in 1745, when it travelled thirty-six miles through Breadalbane in three
hours, and the coronach was superseded gradually by the lament of the
pipes. The bards ceased to live as an order on the accession of the
Kings of Scotland to the British throne, and there were no means
provided at the Reformation for educating ministers or teachers for the
Gaelic speaking part of the country. But all through the centuries
covered by the dates given there were pipers. There are pipers still,
not indeed clan pipers, but the class are recognised as peculiarly
belonging to the Highlands, while harpers and bards have gone completely
under in the great social revolution through which the Highlands have
passed.
[Illustration]
CHAPTER III.
THE TALE OF THE YEARS.
“No stroke of art their texture bears,
No cadence wrought with learned skill,
And though long worn by rolling years,
Yet unimpaired they please us still;
While thousand strains of mystic lore
Have perished and are heard no more.”
The time of the Flood—Pipes in Scripture—In Persia—In Arabia—In
Tarsus—Tradition of the Nativity—In Rome—In Greece—In Wales,
Ireland, and Scotland—Melrose Abbey—In France—In England—At
Bannockburn—Chaucer—In war—First authentic Scottish reference—Oldest
authentic specimen—Became general—Rosslyn Chapel—Second drone added—
At Flodden—“A maske of bagpypes”—Spenser—Shakespeare—James VI.—A
poetical historian—Big drone added—The ’45—Native to Scotland—The
evolution of the Highlands.
_Gillidh Callum_ was (so goes the story) Noah’s piper, and (still
according to the story) Noah danced to his music over two crossed vine
plants when he had discovered and enjoyed the inspiring effects of his
first distillation from the fruits of his newly planted vineyard. So the
tune was named after the piper. This “yarn,” to give it the only
appropriate name, can easily be spoiled by anyone who tries, but the
dance alluded to does seem to have been originally practised over vine
plants. Swords, however, came to be more numerous in Scotland than
vines, and they were substituted. Some historians assert that the Celts
are descended from Gomer, the eldest son of Japheth, son of Noah, a
theory which would go far to support the _Gillidh Callum_ story, for if
there were Celts in the days of the ark, why should there not have been
a piper? There is, however, just about as much to prove either story as
there is to prove that
Public-domain text, read in full here on John Shaqi.
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