The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
“Highland bagpipe, having two small drones and chanter, finely
ornamented with Celtic patterns carved in circular bands. The drones
are inserted in a stock apparently formed from a forked branch, the
fork giving the drones their proper spread for the shoulder. In the
centre of the stock are the letters ‘R. Mc D,’ below them a galley,
and below the galley is the date in Roman numerals, M:CCCC:IX. The
letters both in the initials above the galley and in the numeral
inscription are of the Gothic form commonly used in the fifteenth
century. On the reverse of the stock is a triplet of foliageous scroll
work. Bands of interlaced work encircle the ends of the forked part,
which are bound with brass ferrules. The lower joint of one of the
drones is ornamented with a band of interlaced work in the centre. The
corresponding joint of the other drone is not original. The upper
joints of the drones are ornamented at both extremities with
interlaced work and the finger holes, seven in number, are greatly
worn. The nail heads placed round the lower part of the bell of the
chanter are decorated with engraved ornament. The bag and blowpipe are
modern.”
It should be added that very little is known of the story of this old
bagpipe, and the date carved on the stock is all that justifies us in
attributing it to the fifteenth century. Also that its claims to
antiquity are disputed by an instrument in the possession of the Duke of
Sutherland, which is said to have been played at the battle of
Sheriffmuir.
A.D. 1411.—We have the statement of Rev. James Mac Kenzie that at the
Battle of Harlaw the Highland host came down “with pibrochs deafening to
hear.” Mr. Mac Kenzie, however, wrote at quite a recent date, and it
would be interesting to know his authority. We do know, of course, that
what is now a pipe tune was played at Harlaw, but that in itself proves
nothing, since the earliest known copy of the music is not arranged for
the pipes.
A.D. 1419.—An inventory of the instruments in St. James’s Palace, made
in 1419, specifies “four bagpipes with pipes of ivorie,” and another
“baggepipe with pipes of ivorie, the bagge covered with purple vellat.”
A.D. 1430.—From this time on till the Reformation the bagpipe was fairly
popular in the Lowlands of Scotland, and it is most likely that its use
became general in the Highlands about 1500.
A.D. 1431.—At the battle of Inverlochy in 1431, we are told the pipes
were played. This may have been supposed from the fact that we have a
pipe tune of that date, but it is probable enough.
[Illustration:
THE OLDEST EXISTING PIPES
(_By permission of Messrs. J. & R. Glen and the Scottish Society of
Antiquaries._)
]
Public-domain text, read in full here on John Shaqi.
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