The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
“I have power, high power for freedom,
To wake the burning soul;
I have sonnets that through the ancient hills,
Like a torrent’s voice might roll;
I have pealing notes of victory,
That might welcome kings from war;
I have rich deep tones to send the wail,
For a hero’s death afar.”
“A Hundred Pipers”—Scotland becoming Cosmopolitan—The War spirit of
the Pipes—Regiments, not Clans—Annual Gatherings—Adaptability of
Pipes—Scotch folk from Home—An aged Enthusiast—Highlands an
Extraordinary Study—Succession of Chiefs—Saxon introduced—Gaelic
printed—Highlands in 1603—The Mac Neills of Barra—Highland
hospitality.
“Wi’ a Hundred Pipers an’ a’ an’ a’” is a song that catches on with
Highland people as well now as in the days when the piper was a power in
the land. There is a never ending charm about the pipes, and there is a
never ending swing about the song of the hundred pipers, that stirs the
blood of the true-born Celt, and makes him applaud vigorously in rhythm
with the swing of the chorus. But it is because the song harks back to
the time when one good piper was a man to be revered, and a hundred in
one place a gathering to be dreaded—if they were all there of one
accord—that it continues to hold its own. It expresses something of the
grandeur that was attached to the national music, when the clan piper
was second only to the chief in importance, and the pibroch as much a
part of the clan life as the fiery cross, so it is accepted as the one
outstanding bit of song that helps to keep alive the traditional glory
of the Great Highland Bagpipe. Not that there is any immediate danger of
that glory fading. It is but changing in character. Scotland has become
cosmopolitan, and the fastnesses of the Highlands are no longer the
retreats of wild cateran clans, whose peculiar habits and primitive
ideas of social life helped to bind them together with ties of family
strength, and at the same time to keep them unspotted from the Lowland
and outside world that knew not the Gaelic and the tartan and the pipes.
The _Piob Mohr_ is not now an agency to be reckoned with by any one who
wishes to explore the hills and glens, neither are there any little wars
in Lorn or elsewhere, in which it can have an opportunity of leading Mac
against Mac, or clan against clan. As a Highland war spirit, its glory
has departed, and he would be a bold man who would say he was sorry for
it. True, the Highland regiments who fight Britain’s battles abroad
still wear the tartan and march to the same old strains, but they are
not now Highland clans. They are British battalions, whose empire,
instead of being bounded by the horizon of a Scottish glen, is
worldwide, and they march and wheel, and charge the enemy and storm the
heights in strict accordance with the orders of a general who has his
orders from Westminster.
Public-domain text, read in full here on John Shaqi.
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