The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunesManson, W. L. (William Laird)
History
The Highland bagpipe : $b its history, literature, and music: with some account of the traditions, superstitions, and anecdotes relating to the instrument and its tunes
Manson, W. L. (William Laird)
Bagpipe
That pipers were not always confined to the land forces is shown by an
advertisement in the _Edinburgh Courant_ in 1708, asking for “any person
that plays on the bagpipes who might be willing to engage on board a
British man-of-war.” British and Dutch ships are known to have been
lying in Leith Roads at the time, which accounts for the advertisement.
A harper is mentioned as being in the navy as early as 1660, so music
was not a new thing on board a man-of-war.
Although drummers were used in Highland regiments before 1745, the
pipers outnumbered them very much, for whenever one was found who could
play the pipes, the clans compelled him to follow them. Prince Charlie
is said to have had thirty-two, who played before his tent at mealtime,
and that their instrument was considered a weapon of war is proved by
the fact that although a James Reid, one of the pipers who was taken on
the suppression of the rebellion, pleaded that he had not carried arms,
and was not, therefore, a soldier, the Courts decided that the pipe was
a warlike instrument, and punished the performer just as if he had
carried a claymore. When, after the battle of Prestonpans, the Prince
entered Edinburgh, we read that—
“As he came marching up the street,
The pipes played loud and clear,
And a’ the folks came running out
To meet the Chevalier.”
At the time of the rebellion the pipers had come to be highly respected
members of the clans. Almost as much so as the bards were in their day.
In 1745 the Mac Leods marched into Aberdeenshire and were defeated at
Inverurie. Mac Crimmon, the great piper from Dunvegan, and master of the
celebrated Skye “college,” was taken prisoner after a stout resistance,
and the following morning it was found that not one of the pipers of the
victorious army played through the town as usual. When asked the reason
of their extraordinary conduct, they answered that while the Mac Crimmon
was in captivity their instruments would not sound, and it was only on
the release of the prisoner that they resumed their duties. The Mac
Crimmons were then, however, so well known all over the Highlands that
the action of the other pipers can hardly be considered remarkable.
Public-domain text, read in full here on John Shaqi.
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