The Highlands of EthiopiaHarris, William Cornwallis, Sir
History
The Highlands of Ethiopia
Harris, William Cornwallis, Sir
Ethiopia -- Description and travel
The features of the Bedouin damsel, although degenerate, resemble those
of the Arabian mother, from whom she claims descent; and so close a
similarity pervades the community at large, that one mould would appear
to have been employed for every individual composing it. Nature being
suffered to model her daughters according to her will, their figures
during a brief period are graceful; but feminine symmetry is soon
destroyed by the constant pressure of heavy loads against the chest, and
under the fiery heat of her native sands, the nymph is presently
transformed into the decrepit hag, with bent back and waddling gait. A
short apron of bullock's hide, with frilled edges, is tied above the
hips with a broad band, the sport of every wanton whirlwind; but from
the waist upwards the person is unveiled. A coif of blue calico covers
the head of those who have entered the conjugal state, whilst that of
the virgin is unattired; but the hair of all is arranged in an infinity
of elaborate plaits falling to the shoulders, and liberally greased. So
are also sundry narrow bands of raw hide, which are usually tied above
the ankles by way of charms to strengthen the legs, and which,
contracting as they dry, sink deep below the surface of the part
compressed.
A petalled sprig, appearing to grow out of the waistband, ascends on
either side of the spine, in tattooed relief, resembling tambour work,
and diverging across the ribs, finishes in fancy circles around the
bosom according to the taste of the designer. This is a constant
quantity, and the charms of many a belle are further heightened by
scarification--an angle to break the evenness of the smooth forehead, or
the arc of a circle to improve the dimple on the cheek, being favourite
devices. From the ears of all who can afford personal ornament, depend
two conical drops wrought of thick brass wire spirally coiled, resting
on a curved iron base, and separated by two broad horizontal bands of
pewter. When the wearer is in activity, the flapping of these cumbrous
metallic appendages is ridiculous enough, and the rattle may be heard to
a considerable distance as they come into violent collision with a
necklace composed of a medley of beads, bones, cowrie shells, jingles,
and amulets, strung in many rows upon a leathern collar embedded in dirt
and grease, and terminating in a large rhomb of pewter. Bracelets and
anklets of the same metal are usual, and the ornament of a squalling
brat with inflamed weasel-like eyes slung over the back, is rarely
wanting to complete the figure--a jerk to the right or to the left
bringing it readily across the shoulder when occasion demands.
Public-domain text, read in full here on John Shaqi.
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