It was wonderful to think of. For when these remote roads were ended
one dipped down the hill into the open country, into the dim world
beyond the glint of friendly fires. Tonight, how waste they were, these
wet roads, edged with the red-brick houses, with shrubs whipped by the
wind against one another, against the paling and the wall. There the
wind swayed the great elms scattered on the sidewalk, the remnants of
the old stately fields, and beneath each tree was a pool of wet, and a
torment of raindrops fell with every gust. And one passed through the
red avenues, perhaps by a little settlement of flickering shops, and
passed the last sentinel wavering lamp, and the road became a ragged
lane, and the storm screamed from hedge to hedge across the open
fields. And then, beyond, one touched again upon a still remoter
avant-garde of London, an island amidst the darkness, surrounded by its
pale of twinkling, starry lights.
He remembered his wanderings amongst these outposts of the town, and
thought how desolate all their ways must be tonight. They were solitary
in wet and wind, and only at long intervals some one pattered and
hurried along them, bending his eyes down to escape the drift of rain.
Within the villas, behind the close-drawn curtains, they drew about the
fire, and wondered at the violence of the storm, listening for each
great gust as it gathered far away, and rocked the trees, and at last
rushed with a huge shock against their walls as if it were the coming
of the sea. He thought of himself walking, as he had often walked, from
lamp to lamp on such a night, treasuring his lonely thoughts, and
weighing the hard task awaiting him in his room. Often in the evening,
after a long day’s labour, he had thrown down his pen in utter
listlessness, feeling that he could struggle no more with ideas and
words, and he had gone out into driving rain and darkness, seeking the
word of the enigma as he tramped on and on beneath these outer
battlements of London.
Or on some grey afternoon in March or November he had sickened of the
dull monotony and the stagnant life that he saw from his window, and
had taken his design with him to the lonely places, halting now and
again by a gate, and pausing in the shelter of a hedge through which
the austere wind shivered, while, perhaps, he dreamed of Sicily, or of
sunlight on the Provençal olives. Often as he strayed solitary from
street to field, and passed the Syrian fig tree imprisoned in Britain,
nailed to an ungenial wall, the solution of the puzzle became evident,
and he laughed and hurried home eager to make the page speak, to note
the song he had heard on his way.
Public-domain text, read in full here on John Shaqi.
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