That thrill, as it were a shudder of fear, passed over him again, and
he knew not what had made him afraid. There was some dark shadow on
his mind that saddened him, it seemed as if a vague memory of terrible
days hung like a cloud over his thought, but it was all indefinite,
perhaps the last grim and ragged edge of the melancholy wrack that had
swelled over his life and the bygone years. He shivered and tried to
rouse himself and drive away the sense of dread and shame that seemed
so real and so awful, and yet he could not grasp it. But the torpor of
sleep, the burden of the work that he had ended a few hours before,
still weighed down his limb and bound his thoughts. He could scarcely
believe that he had been busy at his desk a little while ago, and that
just before the winter day closed in and the rain began to fall he had
laid down the pen with a sigh of relief, and had slept in his chair. It
was rather as if he had slumbered deeply through a long and weary
night, as if an awful vision of flame and darkness and the worm that
dieth not had come to him sleeping. But he would dwell no more on the
darkness; he went back to the early days in London when he had said
farewell to the hills and to the waterpools, and had set to work in
this little room in the dingy street.
How he had toiled and laboured at the desk before him! He had put away
the old wild hopes of the masterpiece conceived and executed in a fury
of inspiration, wrought out in one white heat of creative joy; it was
enough if by dint of long perseverance and singleness of desire he
could at last, in pain and agony and despair, after failure and
disappointment and effort constantly renewed, fashion something of
which he need not be ashamed. He had put himself to school again, and
had, with what patience he could command, ground his teeth into the
rudiments, resolved that at last he would test out the heart of the
mystery. They were good nights to remember, these; he was glad to think
of the little ugly room, with its silly wall-paper and its “bird’s-eye”
furniture, lighted up, while he sat at the bureau and wrote on into the
cold stillness of the London morning, when the flickering lamplight and
the daystar shone together. It was an interminable labour, and he had
always known it to be as hopeless as alchemy. The gold, the great and
glowing masterpiece, would never shine amongst the dead ashes and
smoking efforts of the crucible, but in the course of the life, in the
interval between the failures, he might possibly discover curious
things.
Public-domain text, read in full here on John Shaqi.
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