“You mean to tell me that _you_ wrote this book?” he said. He was quite
roused.
“No; not all of it. Look; that bit is mine, and that; and the beginning
of this chapter. Nearly the whole of the third chapter is by me.”
He closed the book without interest, and indeed he felt astonished at
his father’s excitement. The incident seemed to him unimportant.
“And you say that eighty or ninety pages of this book are yours, and
these scoundrels have stolen your work?”
“Well, I suppose they have. I’ll fetch the manuscript, if you would
like to look at it.”
The manuscript was duly produced, wrapped in brown paper, with Messrs.
Beit’s address label on it, and the post-office dated stamps.
“And the other book has been out a month.” The parson, forgetting the
sacerdotal office, and his good habit of grinning, swore at Messrs.
Beit and Mr. Ritson, calling them damned thieves, and then began to
read the manuscript, and to compare it with the printed book.
“Why, it’s splendid work. My poor fellow,” he said after a while, “I
had no notion you could write so well. I used to think of such things
in the old days at Oxford; ‘old Bill,’ the tutor, used to praise my
essays, but I never wrote anything like this. And this infernal ruffian
of a Ritson has taken all your best things and mixed them up with his
own rot to make it go down. Of course you’ll expose the gang?”
Lucian was mildly amused; he couldn’t enter into his father’s feelings
at all. He sat smoking in one of the old easy chairs, taking the rare
relish of a hot grog with his pipe, and gazing out of his dreamy eyes
at the violent old parson. He was pleased that his father liked his
book, because he knew him to be a deep and sober scholar and a cool
judge of good letters; but he laughed to himself when he saw the magic
of print. The parson had expressed no wish to read the manuscript when
it came back in disgrace; he had merely grinned, said something about
boomerangs, and quoted Horace with relish. Whereas now, before the book
in its neat case, lettered with another man’s name, his approbation of
the writing and his disapproval of the “scoundrels,” as he called them,
were loudly expressed, and, though a good smoker, he blew and puffed
vehemently at his pipe.
“You’ll expose the rascals, of course, won’t you?” he said again.
“Oh no, I think not. It really doesn’t matter much, does it? After all,
there are some very weak things in the book; doesn’t it strike you as
‘young?’ I have been thinking of another plan, but I haven’t done much
with it lately. But I believe I’ve got hold of a really good idea this
time, and if I can manage to see the heart of it I hope to turn out a
manuscript worth stealing. But it’s so hard to get at the core of an
idea—the heart, as I call it,” he went on after a pause. “It’s like
having a box you can’t open, though you know there’s something
wonderful inside. But I do believe I’ve a fine thing in my hands, and I
mean to try my best to work it.”
Public-domain text, read in full here on John Shaqi.
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