At other times it was his chief pleasure to spend a whole day in a
vineyard planted on the steep slope beyond the bridge. A grey stone
seat had been placed beneath a shady laurel, and here he often sat
without motion or gesture for many hours. Below him the tawny river
swept round the town in a half circle; he could see the swirl of the
yellow water, its eddies and miniature whirlpools, as the tide poured
up from the south. And beyond the river the strong circuit of the
walls, and within, the city glittered like a charming piece of mosaic.
He freed himself from the obtuse modern view of towns as places where
human beings live and make money and rejoice or suffer, for from the
standpoint of the moment such facts were wholly impertinent. He knew
perfectly well that for his present purpose the tawny sheen and shimmer
of the tide was the only fact of importance about the river, and so he
regarded the city as a curious work in jewelry. Its radiant marble
porticoes, the white walls of the villas, a dome of burning copper, the
flash and scintillation of tiled roofs, the quiet red of brickwork,
dark groves of ilex, and cypress, and laurel, glowing rose-gardens, and
here and there the silver of a fountain, seemed arranged and contrasted
with a wonderful art, and the town appeared a delicious ornament, every
cube of colour owing its place to the thought and inspiration of the
artificer. Lucian, as he gazed from his arbour amongst the trellised
vines, lost none of the subtle pleasures of the sight; noting every
_nuance_ of colour, he let his eyes dwell for a moment on the scarlet
flash of poppies, and then on a glazed roof which in the glance of the
sun seemed to spout white fire. A square of vines was like some rare
green stone; the grapes were massed so richly amongst the vivid leaves,
that even from far off there was a sense of irregular flecks and stains
of purple running through the green. The laurel garths were like cool
jade; the gardens, where red, yellow, blue and white gleamed together
in a mist of heat, had the radiance of opal; the river was a band of
dull gold. On every side, as if to enhance the preciousness of the
city, the woods hung dark on the hills; above, the sky was violet,
specked with minute feathery clouds, white as snowflakes. It reminded
him of a beautiful bowl in his villa; the ground was of that same
brilliant blue, and the artist had fused into the work, when it was
hot, particles of pure white glass.
Public-domain text, read in full here on John Shaqi.
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