It was with this object, that of making the offering of himself a
worthy one, that he continually searched for new and exquisite
experiences. He made lovers come before him and confess their secrets;
he pried into the inmost mysteries of innocence and shame, noting how
passion and reluctance strive together for the mastery. In the
amphitheatre he sometimes witnessed strange entertainments in which
such tales as _Daphnis and Chloe_ and _The Golden Ass_ were performed
before him. These shows were always given at nighttime; a circle of
torch-bearers surrounded the stage in the center, and above, all the
tiers of seats were dark. He would look up at the soft blue of the
summer sky, and at the vast dim mountain hovering like a cloud in the
west, and then at the scene illumined by a flaring light, and
contrasted with violent shadows. The subdued mutter of conversation in
a strange language rising from bench after bench, swift hissing
whispers of explanation, now and then a shout or a cry as the interest
deepened, the restless tossing of the people as the end drew near, an
arm lifted, a cloak thrown back, the sudden blaze of a torch lighting
up purple or white or the gleam of gold in the black serried ranks;
these were impressions that seemed always amazing. And above, the dusky
light of the stars, around, the sweet-scented meadows, and the twinkle
of lamps from the still city, the cry of the sentries about the walls,
the wash of the tide filling the river, and the salt savour of the sea.
With such a scenic ornament he saw the tale of Apuleius represented,
heard the names of Fotis and Byrrhaena and Lucius proclaimed, and the
deep intonation of such sentences as _Ecce Veneris hortator et armiger
Liber advenit ultro_. The tale went on through all its marvelous
adventures, and Lucian left the amphitheatre and walked beside the
river where he could hear indistinctly the noise of voices and the
singing Latin, and note how the rumor of the stage mingled with the
murmur of the shuddering reeds and the cool lapping of the tide. Then
came the farewell of the cantor, the thunder of applause, the crash of
cymbals, the calling of the flutes, and the surge of the wind in the
great dark wood.
Public-domain text, read in full here on John Shaqi.
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