He was in high spirits when he found the square, clean room, horribly
furnished, in the by-street that branched from the main road, and
advanced in an unlovely sweep to the mud pits and the desolation that
was neither town nor country. On every side monotonous grey streets,
each house the replica of its neighbor, to the east an unexplored
wilderness, north and west and south the brickfields and
market-gardens, everywhere the ruins of the country, the tracks where
sweet lanes had been, gangrened stumps of trees, the relics of hedges,
here and there an oak stripped of its bark, white and haggard and
leprous, like a corpse. And the air seemed always grey, and the smoke
from the brickfields was grey.
At first he scarcely realized the quarter into which chance had led
him. His only thought was of the great adventure of letters in which he
proposed to engage, and his first glance round his “bed-sitting-room”
showed him that there was no piece of furniture suitable for his
purpose. The table, like the rest of the suite, was of bird’s-eye
maple; but the maker seemed to have penetrated the druidic secret of
the rocking-stone, the thing was in a state of unstable equilibrium
perpetually. For some days he wandered through the streets, inspecting
the second-hand furniture shops, and at last, in a forlorn byway, found
an old Japanese bureau, dishonored and forlorn, standing amongst rusty
bedsteads, sorry china, and all the refuse of homes dead and desolate.
The bureau pleased him in spite of its grime and grease and dirt.
Inlaid mother-of-pearl, the gleam of lacquer dragons in red gold, and
hints of curious design shone through the film of neglect and
ill-usage, and when the woman of the shop showed him the drawers and
well and pigeon-holes, he saw that it would be an apt instrument for
his studies.
The bureau was carried to his room and replaced the “bird’s-eye” table
under the gas-jet. As Lucian arranged what papers he had accumulated:
the sketches of hopeless experiments, shreds and tatters of stories
begun but never completed, outlines of plots, two or three notebooks
scribbled through and through with impressions of the abandoned hills,
he felt a thrill of exaltation at the prospect of work to be
accomplished, of a new world all open before him.
Public-domain text, read in full here on John Shaqi.
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