that seemed ready to take the great deep, and float away from the mist
and dust of earthly streets to anchor in the haven of the clear city
that hath foundations. The rank tale of the _garderobe_, of the
farm-kitchen, mingled with the reasoned, endless legend of the schools,
with luminous Platonic argument; the old pomp of the Middle Ages put on
the robe of a fresh life. There was a smell of wine and of incense, of
June meadows and of ancient books, and through it all he hearkened,
intent, to the exultation of chiming bells ringing for a new feast in a
new land. He would cover pages with the analysis of these marvels,
tracking the suggestion concealed beneath the words, and yet glowing
like the golden threads in a robe of samite, or like that device of the
old binders by which a vivid picture appeared on the shut edges of a
book. He tried to imitate this art, to summon even the faint shadow of
the great effect, rewriting a page of Hawthorne, experimenting and
changing an epithet here and there, noting how sometimes the alteration
of a trifling word would plunge a whole scene into darkness, as if one
of those blood-red fires had instantly been extinguished. Sometimes,
for severe practice, he attempted to construct short tales in the
manner of this or that master. He sighed over these desperate attempts,
over the clattering pieces of mechanism which would not even simulate
life; but he urged himself to an infinite perseverance. Through the
white hours he worked on amidst the heap and litter of papers; books
and manuscripts overflowed from the bureau to the floor; and if he
looked out he saw the mist still pass by, still passing from the river
to the north.
Public-domain text, read in full here on John Shaqi.
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