And now the pageant began to gather in the garden, a pageant of Love
in a guise such as might have been conceived by Petrarca,--a mediaeval
divertissement, such as the courts of thirteenth century Italy were
wont to delight in. And Francesco, slowly waking from a disordered
reverie, leaned over the balustrade, straining his gaze towards the
clearing, whence peals of laughter and music of citherns and cymbals
heralded the approach of a procession, which in point of
fantasticality did indeed honor to those who had contrived it.
It was a pageant of the Gods, the outgrowth and conception of a mind,
not yet set adrift by the speculative theory and philosophy of a Dante
or Petrarca, a mind still hovering between Roman austerity and
Hellenic mystery.
As the procession emerged from the inner courtyard, a level ray of
moonlight fell upon attires wherein seemed blended the gayest fantasy
of all times: Juno frowning jealously on the bowed figure of her Lord;
Mars and Venus, and Pluto, his dark face rising over folds of sombre
purple, beside the magically fair Proserpina. After these there came
groups of languid lovers of all ages; enchanters and victims: Orpheus
and Eurydicé, Jason and Medea, Lancelot and Guinevere, Tristram and
Iseult. Bound with great ropes of blossom or chains of tinsel, they
moved sadly, crushed and sighing, behind the chariot of the King of
Sighs. And he, the dismal ruler, seemed the personified memory of a
figure in the lower church at Assisi, driven shrinking towards the pit
by Giotto's grave angels of penance.
Round that chariot gathered fantastic shapes, clad in dim, floating
garments, their faces concealed by gray masks on which the unknown
artist had stamped an expression, now of wild dismay, now of grinning
triumph, a presage, it would seem, of the Dreams and Errors, and the
Wan Delusions, whom Petrarca conceived to be the closest companions of
the lord of the mortal race.
Exclamations of delight from the balconies of the castle, where dusky
groups of spectators were dimly discernible, broke the dream stillness
of the night.
From his vantage point on the terrace Francesco's burning gaze,
riveted on the pageant, followed the graceful swaying form of
Proserpina with the pale face and lustrous eyes upturned to him, while
the procession circled round the terrace, and a Wan Delusion,
following directly in her wake, flung up her shadowy arms and groaned.
Public-domain text, read in full here on John Shaqi.
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