Country life -- England; England -- Social life and customs -- 19th century; Natural history -- Outdoor books
but somehow it feels _hard_; it conveys the impression of being
machine-made. You cannot feel the _hand_ of the maker anywhere, and
the failure, the flatness, the formality of the supposed ornament,
is depressing. The ancient harquebuss makers far surpassed the very
best manufacturers of the present day. Their guns are really
artistic--works of true art. The stocks of some of the German
wheel-lock guns of the sixteenth and seventeenth centuries are
really beautiful specimens of carving and design. Their powder-horns
are gems of workmanship--hunting-scenes cut out in ivory, the
minutest detail rendered with life-like accuracy. They graved their
stags and boars from Nature, not from conventional designs; the
result is that we admire them now because Nature is constant, and
her fashions endure. The conventional 'designs' on our lock-plates,
etc., will in a few years be despised; they have no intrinsic
beauty. The Arab of the desert, wild, untrammelled, ornaments his
matchlock with turquoise. Our machine-made guns, double-barrel,
breech-loading, double-grip, rebounding locks, first-choice stocks,
laminated steel, or damascus barrels, choke-bore, and so forth,
will, it is true, mow down the pheasants at the battue as the scythe
cuts down the grass. There is slaughter in every line of them. But
is slaughter everything? In my idea it is not, but very far from it.
Were I offered the choice of participation in the bloodiest battue
ever arranged--such as are reserved for princes--the very best
position, and the best-finished and swiftest breech-loader invented,
or the freedom of an English forest, to go forth at any time and
shoot whatever I chose, untrammelled by any attendants, on condition
that I only carried a wheel-lock, I should unhesitatingly select the
second alternative. There would be an abiding pleasure in the very
fact of using so beautiful a weapon--just in the very handling of
it, to pass the fingers over the intricate and exquisite carving.
There would be pleasure in winding up the lock with the spanner; in
adjusting the pyrites to strike fire from the notches of the wheel;
in priming from a delicate flask graven with stag and hounds. There
would be delight in stealing from tree to tree, in creeping from
bush to bush, through the bracken, keeping the wind carefully,
noiselessly gliding forward--so silently that the woodpecker should
not cease tapping in the beech, or the pigeon her hoarse call in the
oak, till at last within range of the buck. And then! First, if the
ball did not hit the vital spot, if it did not pass through the
neck, or break the shoulder, inevitably he would be lost, for the
round bullet would not break up like a shell, and smash the
creature's flesh and bones into a ghastly jelly, as do the missiles
from our nineteenth century express rifles. Secondly, if the wheel
did not knock a spark out quickly, if the priming had not been kept
dry, and did not ignite instantly, the aim might waver, and all the
Public-domain text, read in full here on John Shaqi.
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