Country life -- England; England -- Social life and customs -- 19th century; Natural history -- Outdoor books
--in these sentences, though they are commonplace enough, there is
proof that the writer already had that curious consciousness of the
past which was to give so deep a tone to many of his pages later on.
But in these papers, again, what is most noticeable is the practical
knowledge and the power of handling practical things. Though he
himself, brought up on his father's farm, had no taste for farming,
and seldom did any practical work except splitting timber, he yet
confines himself severely to things as they are, or as they may
quickly be made to become by a patching-up. These are 'practical
politics for practical men.' Consequently the clear and forcible
writing is only better in degree than other writing of the moment
with an element of controversy, and represents not the whole truth,
but an aspect of selected portions of the truth. When it is turned
to other purposes it shows a poor grace, as in 'a widespread ocean
of wheat, an English gold-field, a veritable Yellow Sea, bowing in
waves before the southern breeze--a sight full of peaceful poetry;'
and the sluggish, customary euphemism of phrases like 'a few calves
find their way to the butcher' is tedious enough.
'The Idle Earth' (_Longman's_, December, 1894), 'After the County
Franchise' (_Longman's_, February, 1884), and 'The Wiltshire
Labourer' (_Longman's_, 1887), belong to Jefferies' later years.
'The Idle Earth' was published only after his death, but, like the
other two, was written, probably, between 1884 and 1887. He was no
longer writing as a practical man, but as a critical outsider with
an inside knowledge. 'The Idle Earth' is an astonishing
curiosity--an extreme example of Jefferies' discontent with things
as they are. 'Why is it,' he asks, 'that this cry arises that
agriculture will not pay?... The answer is simple enough. It is
because the earth is idle one-third of the year.' He looks round a
January field and sees 'not an animal in sight, not a single
machine for making money, not a penny being turned.' He wishes to
know, 'What would a manufacturer think of a business in which he was
compelled to let his engines rest for a third of the year?' Then he
falls upon the miserable Down-land because that is still more idle
and still less productive. 'With all its progress,' he cries, 'how
little real advance has agriculture made! All because of the
stubborn, idle earth.' It is a genuine cry, to be paralleled by
'Life is short, art long,' and by his own wonder that 'in twelve
thousand written years the world has not yet built itself a House,
unfilled a Granary, nor organized itself for its own comfort,' by
his contempt for 'this little petty life of seventy years,' and for
the short sleep permitted to men.
Public-domain text, read in full here on John Shaqi.
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