[72] The Reverend Mr. Maurice, a pious clergyman, who had never seen these ceremonies, attempted to paint them in the most captivating terms. Should he think that Hindoo idolatry is capable of exciting the most elevated conceptions about the godhead and leading the mind to the true path of righteousness, let him come and join the Brahmins and their numerous devotees in crying "Hurree Bole! Hurree Bole! Joy Doorga! Joy Kally!" "Mr. Forbes, of Stanmore Hill, in his elegant museum of Indian rarities, numbers two of the bells that have been used in devotion by the Brahmins. They are great curiosities, and one of them in particular appears to be of very high antiquity, in form very much resembling the cup of the lotus, and the tune of it is uncommonly soft and melodious. I could not avoid being deeply affected with the sound of an instrument which had been actually employed to kindle the flame of that superstition which I have attempted so extensively to unfold. My transported thoughts travelled back to the remote period when Brahmin religion blazed forth in all its splendour in the caverns of Elephanta: I was, for a moment, entranced, and caught the odour of enthusiasm. A tribe of venerable priests, arrayed in flowing stoles, and decorated with high tiaras, seemed assembled around me, the mystic song of initiation vibrated in my ear; I breathed an air fragrant with the richest perfumes, and contemplated the deity in the fire that symbolized him." And again, in another place, "She, (the Hindoo religion) wears the similitude of a beautiful and radiant cherub from Heaven, bearing on his persuasive lips the accents of pardon and peace, and on his silken wings benefaction and blessing." What strange hallucinations some of these Christian ministers labour under in attempting to reconcile the ideas of idolatry with those of the True and Living God! IX. THE KALI POOJAH FESTIVAL.