The Hindoos as They Are: A Description of the Manners, Customs and the Inner Life of Hindoo Society in BengalSivachandra Vasu
Religion
The Hindoos as They Are: A Description of the Manners, Customs and the Inner Life of Hindoo Society in Bengal
Sivachandra Vasu
Hindus; India -- Social life and customs; Women -- India
In Bengal, next to the Doorga Poojah in point of importance stands the
Kali Poojah, which invariably takes place on the last night of the
decrease of the moon, in the month of Kartik (between October and
November). She is represented as standing on the breast of her husband,
Shiva, with a tongue projecting to a great length. She has four arms, in
one of which she holds a scimitar; in another, the head of a giant whom
she has killed in a fight, the third hand is spread out for the purpose
of bestowing blessing, while by the fourth, she welcomes the blessed.
She also wears a necklace of skulls and has a girdle of hands of giants
round her loins. To add to the terrific character of the goddess, she is
represented as a very black female with her locks hanging down to her
heels. The reason ascribed for her standing on the breast of her
husband, is the following: In a combat with a formidable giant called
Ruckta Beeja, she became so elated with joy at her victory that she
began to dance in the battle-field so frantically that all the gods
trembled and deliberated what to do in order to restore peace to the
earth, which, through her dancing was shaken to its foundation. After
much consultation, it was decided that her husband should be asked to
repair to the scene of action and persuade her to desist. Shiva, the
husband, accordingly came down, but seeing the dreadful carnage and the
infuriated countenance as well as the continued dancing of his wife, who
could not in her frenzy recognise him, he threw himself among the dead
bodies of the slain. The goddess was so transported with joy that in one
of her dancing feats she chanced to step upon the breast of her husband,
whereupon the body moved. Struck with amazement she stood motionless
for a while, and fixing her gaze at length discovered that she had
trampled on her husband. The sight at once restored her feminine
modesty, and she stood aghast feeling shocked at the unhappy accident.
To express her shame, she put out her tongue and in that posture she is
worshipped by her followers.[73]
Public-domain text, read in full here on John Shaqi.
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