The Hindoos as They Are: A Description of the Manners, Customs and the Inner Life of Hindoo Society in BengalSivachandra Vasu
Religion
The Hindoos as They Are: A Description of the Manners, Customs and the Inner Life of Hindoo Society in Bengal
Sivachandra Vasu
Hindus; India -- Social life and customs; Women -- India
It is a remarkable fact, says Ward, that "the sceptical part of mankind
have always been partial to heathenism. Voltaire, Gibbon, Hume &c. have
been often charged with a strong partiality for the Grecian and Roman
idolatries; and many Europeans in India are suspected of having made
large strides towards heathenism. Even Sir William Jones, whose
recommendation of the Holy Scripture (found in his Bible after his
death,) has been so often and so deservedly quoted, it is said, to
please his Pundit, was accustomed to study the Shastras with the image
of a Hindoo god placed on his table; and his fine metrical translations
of idolatrous hymns are known to every lover of verse. In the same
spirit, we observe, that figures and allusions to the ancient idolatries
are retained in almost all modern poetical compositions and even in some
Christian writings."
It has been very wisely remarked by a philosophical traveller, Dr.
Clarke, that "by a proper attention to the vestiges of ancient
superstition, we are sometimes enabled to refer a whole people to their
original ancestors, with as much, if not more certainty, than by
observations made upon their language; because the superstition is
engrafted on the stock, but the language is liable to change." Writing
on the same subject, Sir William Jones remarks, "if the festivals of the
old Greeks, Persians, Romans, Egyptians and Goths, could be arranged
with exactness in the same form with the Indian, there would be found a
striking resemblance among them; and an attentive comparison of them
all, might throw great light on the religion, and perhaps on the
history, of the primitive world."
The Egyptians described the source of the Nile as flowing from Osiris;
so the Hindoos represent the holy stream of the Ganges as flowing from
the head of Iswara, which Sir William Jones so beautifully describes in
his hymn to Ganga:
"Above the reach of mortal ken,
On blest Coelasa's top, where every stem
Flowed with a vegetable gem,
Mahasa stood, the dread and joy of men;
While Parvati, to gain a boon,
Fixed on his locks a beamy moon,
And hid his frontal eye in jocund play,
With reluctant sweet delay;
All nature straight was locked in dim eclipse,
Till Brahmins pure, with hallowed lips
And warbled prayers restored the day,
When Ganga from his brow, with heavenly fingers free,
Sprang radiant, and descending, graced the caverns of the west."
Public-domain text, read in full here on John Shaqi.
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