The Hindoos as They Are: A Description of the Manners, Customs and the Inner Life of Hindoo Society in BengalSivachandra Vasu
Religion
The Hindoos as They Are: A Description of the Manners, Customs and the Inner Life of Hindoo Society in Bengal
Sivachandra Vasu
Hindus; India -- Social life and customs; Women -- India
tendency, these anniversaries, are not without their beneficial effects.
They tend, in no small degree, to inspire the mind with a religious
veneration for the memory of the departed worthies, and by the law of
the association of ideas not unfrequently bring to recollection their
distinctive features and individual characteristics.
Some aristocratic families that have been observing this festival for a
long series of years, begin their _Kalpa_ or preliminary rite on the
ninth day of the decrease of the moon, when an earthen water pot called
_ghat_[55] is placed in a room called _bodanghur_, duly consecrated by
the officiating priest, who, assisted by two other Brahmins, invokes the
blessing of the deity by reading a Sanskrit work, called _Chundee_,
which relates the numerous deeds and exploits of the goddess. It is a
noteworthy fact that the Brahmin, who repeats the name of the god,
_Modosoodun_, seems, to all appearance, to be absorbed in mental
abstraction. With closed eyes and moving fingers, not unlike the
_Rishis_ of old, he, as it were, disdains to look at the external world.
From early in the morning till 10 o'clock the worship before the earthen
pot is continued, and the officiating priests[56] are strictly
prohibited from using _sidha_, (rice) taking more than one meal a day,
or sleeping with their wives, as if that would be an act of unpardonable
profanation. This strict _regime_ is to be observed by them until the
whole of the ceremonial is completed, on the tenth day of the new moon.
It should be mentioned here that the majority of the Hindoos begin their
_kalpa_, or preliminary rite, on _pratipad_, or the beginning of the new
moon, when almost every town and village resounds with the sound of
conch, bell and gong, awakening latent religious emotions, and evoking
_agamaney_, (songs or inaugural invocations) which deeply affect the
hearts of Doorga's devout followers. Some of these rhythmic effusions
are exceedingly pathetic. I wish I could give a specimen here of these
songs divested of their idolatrous tinge, but I am afraid of offending
the ears of my European readers.
Public-domain text, read in full here on John Shaqi.
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