The position of Tehutimes I was, indeed, a curious one; although _de facto_ absolute in power, his children by Queen Aahmes took precedence of him, for by her mother’s descent she had a better right to the crown than her husband, and legally the king should have retired in favour of his sons as soon as they were old enough to reign. [According to Petrie, these two were children of Amenhotep I by Queen Aah-hotep and consequently brothers of Queen Aahmes.] The eldest of them, Uazmes, died early. The second, Amenmes, lived at least to attain adolescence: he was allowed to share the crown with his father from the fourth year of the latter’s reign, and he also held a military command in the Delta, but before long he also died, and Tehutimes I was left with only one son--a Tehutimes like himself--to succeed him. The mother of this prince was a certain Mut-nefert, half-sister to the king on his father’s side, who enjoyed such a high rank in the royal family that her husband allowed her to be portrayed in royal dress; her pedigree on the mother’s side, however, was not so distinguished, and precluded her son from being recognised as heir-apparent; hence the occupation of the “seat of Horus” reverted once more to a woman, Hatshepsitu, the eldest daughter of Aahmes. TEHUTIMES II; QUEEN HATSHEPSU [Sidenote: [_ca._ 1565-1530 B.C.]] Hatshepsitu herself was not, however, of purely divine descent. Her paternal ancestor, Sensenb, had not been a scion of the royal house, and this flaw in her pedigree threatened to mar, in her case, the sanctity of the solar blood. According to Egyptian belief, this defect of birth could be remedied only by a miracle, and the ancestral god, becoming incarnate in the earthly father at the moment of conception had to condescend to infuse fresh virtue into his race in this manner. The inscriptions with which Hatshepsitu decorated her chapel relate how, on that fateful night, Amen descended upon Aahmes in a flood of perfume and light. The queen received him favourably, and the divine spouse on leaving her announced to her the approaching birth of a daughter, in whom his valour and strength should be manifested once more here below. The sequel of the story is displayed in a series of pictures. The protecting divinities who preside over the birth of children conduct the queen to her couch, and the sorrowful resignation depicted on her face, together with the languid grace of her whole figure, display in this portrait of her a finished work of art. The child enters the world amid shouts of joy, and the propitious genii who nourish both her and her double, constitute themselves her nurses. At the appointed time, her earthly father summons the great nobles to a solemn festival, and presents to them his daughter, who is to reign with him over Egypt and the world.