As to place of origin, Central Europe or any western or northern part of the continent is out of the question. Mycenæan art is shown by various remains to have moved westwards and northwards, not _vice versa_. It arose within the Ægean area, in the Argolid as some, _e.g._, the Heræum excavators, seem to propose, or the Cyclades, or Rhodes; or, if outside, then the issue is narrowed for practical purposes to a region about which we know next to nothing as yet, northern Libya, and to Asia Minor. So far as the Mycenæan objects themselves testify, they point to a progress not from south or west, but from east. In the western localities, notably Crete and Mycenæ, we have more remains of highly developed Mycenæan civilisation, but less of its early stages than elsewhere. Nothing in the Argolid, but much in the Troad, prepares us for the Mycenæan metallurgy. The appearance of Mycenæan forms and patterns is abrupt in Crete, but graduated in other islands, especially Thera and Melos. The Cretan linear script seems to be of “Asianic” family, and to be inscribed in Melos on sherds of earlier date than its appearance at Knossos. Following Mycenæan development backwards in this manner, we seem to tend towards the Anatolian coasts of the Ægean, and especially the rich and little-known areas of Rhodes and Caria. It does not advance seriously the solution of the racial problem to turn to Greek literary tradition. Now that we are assured of the wide range and the long continuance of the influence of Mycenæan civilisation, overlapping the rise of Hellenic art, we can hardly question that the early peoples whom the Greeks knew as Pelasgi, Minyæ, Leleges, Danai, Carians, and so forth, shared in it. But were they its authors? and who, after all, were they themselves? The Greeks believed them their own kin, but what value are we to attach to the belief of an age to which scientific ethnology and archæology were unknown? Nor is it useful to select traditions, _e.g._, to accept those about the Pelasgi, and to override those which connect the Achæans equally closely with Mycenæan centres. We are gradually learning that the classical Hellene was of no pure race, but the result of a blend of several racial stocks, into which those pre-existing in his land can hardly fail to have entered; and if we have been able to determine that Mycenæan art was distinguished by just that singular quality of idealism which is of the essence of the art which succeeded it in the same area (whatever be the racial connection), it can scarcely be doubted in reason that Mycenæan civilisation was in some sense the parent of the later civilisation of Hellas. In fact, now that the Mycenæan remains are no longer to be regarded as isolated phenomena on Greek soil, but are seen to be intimately connected on the one hand with a large class of objects which carry the evolution of civilisation in the Ægean area itself back to the Stone Age, and on the