The historians' history of the world in twenty-five volumes, volume 03 : $b Greece to the Peloponnesian War
History
The historians' history of the world in twenty-five volumes, volume 03 : $b Greece to the Peloponnesian War
World history
other with the earlier products of Hellenic development, the problem is
no longer purely one of antiquarian ethnology. We ask less what race was
so greatly gifted, than what geographical or other circumstances will
account for the persistence of a certain peculiar quality of civilisation
in the Ægean area.[b] An eloquent summary of our Mycenæan knowledge and
a lively description of life such as it may have been in Mycenæ has been
drawn by Chrestos Tsountas and J. Irving Manatt in their work, _The
Mycenæan Age_, from which we quote at length.
[Illustration: SEPULCHRAL ENCLOSURE, MYCENÆ]
THE PROBLEM OF MYCENÆAN CHRONOLOGY
Whether or not the authors of this distinct and stately civilisation
included among their achievements a knowledge of letters, their monuments
thus far address us only in the universal language of form and action.
Of their speech we have yet to read the first syllable. The vase handles
of Mycenæ may have some message for us, if no more than a pair of heroic
names; and the nine consecutive characters from the cave of Cretan
Zeus must have still more to say when we find the key. We may hope, at
least, if this ancient culture ever recovers its voice, to find it not
altogether unfamiliar: we need not be startled if we catch the first
lisping accent of what has grown full and strong in the Achæan epic.
But for the present we have to do with a dumb age, with a race whose
artistic expression amazes us all the more in the dead silence of their
history. So far as we yet know from their monuments, they have recorded
not one fixed point in their career, they have never even written down
their name as a people.
Now, a dateless era and a nameless race--particularly in the immediate
background of the stage on which we see the forces of the world’s golden
age deploying--are facts to be accepted only in the last resort. The
student of human culture cannot look upon the massive walls, the solemn
domes, the exquisite creations of what we call Mycenæan art, without
asking--When? By whom? In default of direct and positive evidence, he
will make the most of the indirect and probable.
Public-domain text, read in full here on John Shaqi.
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