The historians' history of the world in twenty-five volumes, volume 06 : $b the early Roman Empire
History
The historians' history of the world in twenty-five volumes, volume 06 : $b the early Roman Empire
World history
Everything else is foreign, imported, or conquered. The theatre
originating in Etruria and in Greece was simply imitated and then
forsaken for bear fights which later became processions, magnificent in
weapons and ornaments, parades of triumph and war. Monuments of art were
pillaged in Greece, and in Cicero’s time were still despised; while in
poetry, there was no original fiction, no invention of characters. The
only things in which the national genius rivals the imitation of foreign
models are oratory,--the arm of the forum,--satire,--versified pleading
and instruction in morals,--and history, the record of political facts,
which, however, is at Rome only a collection of memoirs or an exercise
in oratory; and all these things are concerned with the practical
and with government. If Rome possessed poets, it was solely when her
particular genius gave way before a new movement. The only entertainments
she invented were triumphs and games in the circus, where victory was
continued by the humiliation and death of the vanquished, where the
spectator was the conqueror and assassin.
All scientific writings were translations. There were compilers
such as Varro and Pliny, imitators such as Cicero and Lucretius;
some small advance was made in agriculture, rhetoric, medicine, and
architecture--all applied sciences. In the place of metaphysics, the
clumsy physics of Epicurus and of the stoics were copied. The practical
side of philosophy was alone studied, moral philosophy, and that
with a purely practical object. The only strictly Roman science is
jurisprudence, and that is altogether practical and political. It is,
moreover, so long as it remains Roman, but a collection of dry formulæ, a
mere manual for lawyers and not a branch of science.
From the character of Roman genius springs its history. The family and
religion being subordinate to the state, art and science being null, or
entirely practical, and the state having no other object than to conquer
and to organise what it had conquered, Roman history is the history of
conquest and its effects.
Public-domain text, read in full here on John Shaqi.
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