Among the Romans the duties to the dead were carefully attended to. They believed that the souls of those who had not received the proper honors accorded to the dead were condemned to wander for a long number of years along the banks of the Styx before they were permitted to cross over into the realms of the dead. The dying person was surrounded by his relatives and when he had breathed his last his eyes and mouth were closed by the nearest relative present and the _conclamatio_ was made, all calling out loudly three times to the deceased as though he might be in a trance. Upon his not awakening, the relatives and friends retired and left the body to the professional undertaker. The body was washed, anointed, and clothed, the coin to pay Charon, the ferryman of the Styx, was placed between the teeth, and then the corpse was laid upon a couch in the atrium, with feet turned toward the entrance door. Flowers were placed about the couch and the decorations and crowns, if any, of the deceased were displayed about the body. To show that the house was in mourning, branches of cypress or pine were hung in front. The body lay in state for seven days for visitations of kindred and friends. The day of the funeral having arrived, the funeral procession took place. In ancient times all funerals were in the night time, but later they were held in the day time, yet still later the procession went with lighted torches. The order of the procession was arranged by the _designator_, master of ceremonies, and it closely resembled a triumphal procession. At the head marched the musicians, which might have been a single flute-player or a band of musicians with trumpets and pipes and horns; then came the mourning-women, hired for the occasion; next came dancers and mimes, one of whom was dressed up to resemble the deceased, and who acted out his character, imitating his style of speaking, his manner, and exaggerating his peculiarities. Following these came professional actors dressed in the garbs of the ancestors of the deceased and wearing wax masks representing their features, who strove to imitate them in speech and actions. Then were displayed the crowns and rewards the deceased had been honored with and the spoils and standards he had taken in war. Then came the torch-bearers and lictors, with lowered faces, followed by the nearest relatives or friends or slaves set free by the will, bearing upon a lofty bier the corpse extended and exposed in rich garments. Then the family of the deceased followed, the sons with veiled faces and the daughters with heads uncovered and hair loosened. Last came the freedmen, slaves, clients, friends, and the general public. There were demonstrations of grief displayed by the mourners, the nearest relatives tearing their clothing, pulling out their hair, and covering their heads with dust, the women smiting their breasts, scratching their faces, tearing their hair, and the like.