The Historical Child: Paidology; The Science of the ChildChrisman, Oscar
History
The Historical Child: Paidology; The Science of the Child
Chrisman, Oscar
Children; Manners and customs
In New York the homes took the form of those the Dutch were used to back
in Holland. The houses were built near the sidewalk with the gable-end
to the street, the top of the gable showing in corbel-steps. They were
built of brick, or at least the gable-ends were, imported from Holland,
and the date of erection and the owner's initials were shown by bricks
of different colors from the others. The roof was quite steep and at
first thatched but later tiles were used, and with a metal gutter
projecting well out into the street. There was a weather-vane at the top
of the house, which might have been a horse, lion, goose, or fish, but
the prevailing fashion was a rooster. The front door was usually divided
in the middle horizontally, making an upper and a lower half, hung on
leather hinges and, later on, heavy iron hinges, and in the upper half
were placed two bull's-eyes of heavy greenish glass. Often the front
door had a knocker of iron or brass. The Dutch farmhouse was similar to
the town house, as described above, but the cellar was built more
carefully as it was necessary to be cool in summer and warm in winter to
care for the great supply of food that was stored in it. After the
English came to New York, the Dutch styles were changed to English
styles and the houses of the landed gentry became quite similar to those
of the Southern planters.
After the primitive sheltering as described in the first paragraphs
under this section, "The Home," the people of New England built log
houses, as in the other colonies, and for near a half century, there was
scarcely any house larger than a cottage. These houses were thatched and
had the katted chimneys. Oiled paper was used for admitting light, glass
coming into use later. Paint was not used at all at first and very
little used for quite awhile, either without or within the house.
Public-domain text, read in full here on John Shaqi.
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