The Historical Nights' Entertainment: Second SeriesSabatini, Rafael
History
The Historical Nights' Entertainment: Second Series
Sabatini, Rafael
Europe -- Social life and customs -- Fiction; Historical fiction, English
Anon, however, when by way of a garden gate and an easily escaladed
balcony he found himself in the presence of Isabella, the delight of
her effaced all other considerations. Her father was from home, as she
had told him in the note that summoned him; he was away at Palacios on
some merchant’s errand, and would not return until the morrow. The
servants were all abed, and so Don Rodrigo might put off his cloak and
hat, and lounge at his ease upon the low Moorish divan, what time she
waited upon him with a Saracen goblet filled with sweet wine of Malaga.
The room in which she received him was one set apart for her own use,
her bower, a long, low ceilinged chamber, furnished with luxury and
taste. The walls were hung with tapestries, the floor spread with
costly Eastern rugs; on an inlaid Moorish table a tall, three-beaked
lamp of beaten copper charged with aromatic oil shed light and perfume
through the apartment.
Don Rodrigo sipped his wine, and his dark, hungry eyes followed her as
she moved about him with vaguely voluptuous, almost feline grace. The
wine, the heavy perfume of the lamp, and the beauty of her played havoc
among them with his senses, so that he forgot for the moment his
Castilian lineage and clean Christian blood, forgot that she derived
from the accursed race of the Crucifiers. All that he remembered was
that she was the loveliest woman in Seville, daughter to the wealthiest
man, and in that hour of weakness he decided to convert into reality
that which had hitherto been no more than an infamous presence. He
would loyally fulfil the false, disloyal promises he had made. He would
take her to wife. It was a sacrifice which her beauty and her wealth
should make worth while. Upon that impulse he spoke now, abruptly:
“Isabella, when will you marry me?”
She stood before him, looking down into his weak, handsome face, her
fingers interlacing his own. She merely smiled. The question did not
greatly move her. Not knowing him for the scoundrel that he was,
guessing nothing of the present perturbation of his senses, she found
it very natural that he should ask her to appoint the day.
“It is a question you must ask my father,” she answered him.
“I will,” said he, “to-morrow, on his return.” And he drew her down
beside him.
But that father was nearer than either of them dreamed. At that very
moment the soft thud of the closing housedoor sounded through the
house. It brought her sharply to her feet, and loose from his coiling
arms, with quickened breath and blanching face. A moment she hung
there, tense, then sped to the door of the room, set it ajar and
listened.
Up the stairs came the sound of footsteps and of muttering voices. It
was her father, and others with him.
With ever-mounting fear she turned to Don Rodrigo, and breathed the
question: “If they should come here?”
Public-domain text, read in full here on John Shaqi.
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