The Historical Nights' Entertainment: Second SeriesSabatini, Rafael
History
The Historical Nights' Entertainment: Second Series
Sabatini, Rafael
Europe -- Social life and customs -- Fiction; Historical fiction, English
“But I have something more than words for you.” With her left hand she
drew upon the fine gold chain about her neck, and brought forth a tiny
jewelled cross. Passing the chain over her head, she held it out.
“Take this,” she bade him. “Take it, I say. Now, with that sacred
symbol in your hand, make solemn oath to divulge no word of what you
have learnt here tonight, or else resign yourself to an unshriven
death. For either you take that oath, or I rouse the servants and have
you dealt with as one who has intruded here unbidden for an evil end.”
She backed away from him as she spoke, and threw wide the door. Then,
confronting him from the threshold, she admonished him again, her voice
no louder than a whisper. “Quick now! Resolve yourself. Will you die
here with all your sins upon you, and so destroy for all eternity the
immortal soul that urges you to this betrayal, or will you take the
oath that I require?”
He began an argument that was like a sermon of the Faith. But she cut
him short. “For the last time!” she bade him. “Will you decide?”
He chose the coward’s part, of course, and did violence tomb fine
conscience. With the cross in his hand he repeated after her the words
of the formidable oath that she administered, an oath which it must
damn his immortal soul to break. Because of that, because she imagined
that she had taken the measure of his faith, she returned him his
dagger, and let him go at last. She imagined that she had bound him
fast in irrefragable spiritual bonds.
And even on the morrow, when her father and all those who had been
present at that meeting at Susan’s house were arrested by order of the
Holy Office of the Inquisition, she still clung to that belief. Yet
presently a doubt crept in, a doubt that she must at all costs resolve.
And so presently she called for her litter, and had herself carried to
the Convent of St. Paul, where she asked to see Frey Alonso de Ojeda,
the Prior of the Dominicans of Seville.
She was left to wait in a square, cheerless, dimly-lighted room
pervaded by a musty smell, that had for only furniture a couple of
chairs and a praying-stool, and for only ornament a great, gaunt
crucifix hanging upon one of its whitewashed walls.
Thither came presently two Dominican friars. One of these was a
harsh-featured man of middle height and square build, the
uncompromising zealot Ojeda. The other was tall and lean, stooping
slightly at the shoulders, haggard and pale of countenance, with
deep-set, luminous dark eyes, and a tender, wistful mouth. This was the
Queen’s confessor, Frey Tomas de Torquemada, Grand Inquisitor of
Castile. He approached her, leaving Ojeda in the background, and stood
a moment regarding her with eyes of infinite kindliness and compassion.
“You are the daughter of that misguided man, Diego de Susan,” he said,
in a gentle voice. “God help and strengthen you, my child, against the
trials that may be in store for you. What do you seek at our poor
hands? Speak, child, without fear.”
Public-domain text, read in full here on John Shaqi.
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