The Historical Nights' Entertainment: Second SeriesSabatini, Rafael
History
The Historical Nights' Entertainment: Second Series
Sabatini, Rafael
Europe -- Social life and customs -- Fiction; Historical fiction, English
“Do you dare stand before my face, and tell me this?” he roared,
infuriated by their cold resistance. He flung out an arm in a gesture
of terrible dismissal. “Out of my sight, you proud and evil men! Back
to your cells, to await my pleasure. Since in your arrogant,
stiff-necked pride you refuse to do my will, you shall receive the
bishop I shall myself select.”
He was so terrific in his rage that they dared not tell him that he had
no power, prince though he might be, to make such an election, bowed to
him, ever impassively, and with their hands still folded, unhurried as
they had come, they now turned and filed past him in departure.
He watched them with scowling brows and tightened lips, Moniz and Nunes
silent behind him. Suddenly those dark, watchful eyes of his were held
by the last figure of all in that austere procession—a tall, gaunt
young man, whose copper-coloured skin and hawk-featured face proclaimed
his Moorish blood. Instantly, maliciously, it flashed through the
prince’s boyish mind how he might make of this man an instrument to
humble the pride of that insolent clergy. He raised his hand, and
beckoned the cleric to him.
“What is your name?” he asked him.
“I am called Zuleyman, lord,” he was answered, and the name
confirmed—where, indeed, no confirmation was necessary—the fellow’s
Moorish origin.
Affonso Henriques laughed. It would be an excellent jest to thrust upon
these arrogant priests, who refused to appoint a bishop of their
choice, a bishop who was little better than a blackamoor.
“Don Zuleyman,” said the prince, “I name you Bishop of Coimbra in the
room of the rebel who has fled. You will prepare to celebrate High Mass
this morning, and to pronounce my absolution.”
The Christianized Moor fell back a step, his face paling under its
copper skin to a sickly grey. In the background, the hindmost members
of the retreating clerical procession turned and stood at gaze, angered
and scandalized by what they heard, which was indeed a thing beyond
belief.
“Ah no, my lord! Ah no!” Don Zuleyman was faltering. “Not that!”
The prospect terrified him, and in his agitation he had recourse to
Latin. “Domine, non sum dignus,” he cried, and beat his breast.
But the uncompromising Affonso Henriques gave him back Latin for Latin.
“Dixi—I have spoken!” he answered sternly. “Do not fail me in
obedience, on your life.” And on that he clanked out again with his
attendants, well-pleased with his morning’s work.
As he had disposed with boyish, almost irresponsible rashness, and in
flagrant contravention of all canon law, so it fell out. Don Zuleyman,
wearing the bishop’s robes and the bishop’s mitre, intoned the Kyrie
Eleison before noon that day in the Cathedral of Coimbra, and
pronounced the absolution of the Infante of Portugal, who knelt so
submissively and devoutly before him.
Public-domain text, read in full here on John Shaqi.
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