[Sidenote: The money.]
+19.+ His next business was to pay over to the Quaestors such public
money of the Carthaginians as had been captured. It amounted to more
than six hundred talents, so that when this was added to the four
hundred which he had brought with him from Rome, he found himself in
possession of more than one thousand talents.
[Sidenote: Scipio’s continence.]
It was on this occasion that some young Romans fell in with a girl
surpassing all the other women in bloom and beauty; and seeing that
Scipio was fond of the society of women, they brought her to him, and,
placing her before him, said that they desired to present the damsel
to him. He was struck with admiration for her beauty, and replied
that, if he had been in a private position, he could have received no
present that would have given him greater pleasure; but as general it
was the last in the world which he could receive. He meant to convey, I
presume, by this ambiguous answer that, in hours of rest and idleness,
such things are the most delightful enjoyments and pastimes for young
men; whereas in times of activity they are hindrances physically and
mentally. However that may be, he thanked the young men; but called the
girl’s father, and handing her over at once to him, told him to bestow
her in marriage on whichever of the citizens he chose. By this display
of continence and self-control he gained the warm respect of his men.
[Sidenote: Laelius sent to Rome with the news. B.C. 209.]
Having made these arrangements, and handed over the rest of the
captives to the Tribunes, he despatched Gaius Laelius on board a
quinquereme to Rome, with the Carthaginian prisoners and the noblest
of the others, to announce at home what had taken place. For as the
prevailing feeling at Rome was one of despair of success in Iberia, he
felt certain that on this news their spirits would revive, and that
they would make much more strenuous efforts to support him.
[Sidenote: Preparations for an advance.]
[Sidenote: Xen. _Hellen._ 3, 4, 17: _Agesil._ 1, 26.]
Public-domain text, read in full here on John Shaqi.
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