The last monumental inscription is for the Rev. Thomas Lavender a most exemplary minister of this parish, for upwards of 60 years, he died in the year 1776, at the age of 86. The font is modern, but particularly neat and handsome; one of a very ancient description, was lately dug up in the churchyard. [Picture: Farthing Bridge] Proceeding along the turnpike road to the west of Horsham and passing Farthing Bridge, of which the annexed wood-cut is a representation, we reach Broad-bridge Heath, a delightful, picturesque, and salubrious plain, so called: by pursuing the centre road, the visitor will arrive at Stroud, a small hamlet about 3 miles from Horsham; it is chiefly remarkable for the elegant residence denominated Stroud park, belonging to --- Commerell esq.: the grounds around the house particularly deserve attention, and the sweetly retired situation of the fishing house, erected upon the banks of a lake surrounded by the majestic and noble trees for which this district is so justly celebrated, whilst the deep silence which pervades the whole, interrupted only by the rippling stream beneath, and the delightful choir of the feathered songsters, combine to render it, in every sense of the word, a most enchanting and delightful scene. [Picture: Slinfold Church] By taking the road to the left hand, on Broad-bridge heath, and again turning to the right at Lion’s Corner gate, the village of Slinfold, to which the hamlet of Stroud belongs, soon appears in sight. “Fold” observes Mr. Dallaway, “is a termination frequently belonging to parishes within the weald and in distinction to Hume seems to be applied to those which were first cultivated in square inclosures, after the removal of timber and underwood. This observation belongs to the early Saxon æra; and it is evident that the name of almost every vilor or farm within the district is derived from them.” The church build at the end of the village, was erected at the formation of the parish by bishop Ralph in 1230. It has a nave and north aisle with a small sepulchral chapel appendant. In this portion of the church which belongs to the manor of Dedisham, is a curiously sculptured female figure, destitute of any inscription, but traditionally said, to belong to a member of the family of Tregoz.—There are also two other mural monuments, with small painted alabaster effigies of women in the ancient dress of their times. The first of which we give a sketch, appears particularly “en bon point,” and is represented kneeling on a cushion, in the act of prayer. The following inscription, now almost illegible, appears beneath.