The History and Antiquities of the Doric Race, Vol. 2 of 2Müller, Karl Otfried
History
The History and Antiquities of the Doric Race, Vol. 2 of 2
Müller, Karl Otfried
Dorians -- History; Greece -- Antiquities, Dorian; Greece -- History -- Dorian Invasions, approximately 1125-1025 B.C.
3. To determine with any degree of precision how much climate and the
nature of the soil contributed to the formation of this dialect, would be
a matter of extreme difficulty; although the comparison of the
corresponding dialects of different languages with the various localities
in which each was formed may lead to several interesting observations.
There can be no doubt that a mountain life is favourable to the formation
of the pure, broad, and long vowels, such as Α and Ω; as also that a
residence in the lowlands and on the coast produces rather modifications
of the long vowels(1927) and short syllables. It should, however, be borne
in mind, that the influence of these causes upon language was in full
operation at one period only, when the organs generally evinced greater
pliancy in adapting themselves to the various peculiarities of situation.
In later times, Doric was spoken in maritime towns, as low German is now
in mountains and highlands. We must likewise remember, that not only the
country, but also the people, bore a distinct national character, the
influence of which upon their language must have been full as great as of
the former. The hypothesis that the ancient dialects were determined more
by internal than external influence, more by the nature of the men than
the influence of place, is confirmed by a remarkable passage of
Jamblichus,(1928) who had probably derived this sentiment from the schools
of the early Pythagoreans: he pronounces the Doric dialect to be the most
ancient and best, comparing it, on account of the sounding vowels with
which it abounded, to the enharmonic style of music, as he does the Ionic
and Æolic dialects to the chromatic style. The only meaning of this remark
can be, that the long vowels Α and Ω were pronounced in as clear and
marked a manner (particularly when, as was often the case, they were
circumflexed) as a bar separated by a double bar in the tetrachord strung
to the enharmonic pitch, so much used for music of the Doric style.(1929)
Otherwise a manly character is always attributed to the Doric
dialect:(1930) its fitness for solemn occasions and simple expression is
shown by the literary remains which have come down to us.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account