The history and poetry of finger-ringsEdwards, Charles
History
The history and poetry of finger-rings
Edwards, Charles
Rings
3d. But all the time these religious and civil acts are being
performed, the young couple have likewise before their eyes and above
their heads the emblem of the moral act _Hhupah_, cohabitation or
living together by themselves under one roof. This is the purpose
for which the canopy is raised over them; beneath which they ought,
by right, to stand quite alone--though generally the minister and
parents or nearest friends also find room under it.
These three distinct acts--religious, civil and domestic--to
constitute marriage according to the regular form _Hhupa ve
kidushin_, require ten adult male witnesses. But so binding is the
act of consecration, that if it were performed privately, without
the knowledge of parents or assistance of minister and solely in
the presence of two competent witnesses who hear the man pronounce
the formula “Behold thou art consecrated unto me,” etc., and see
the woman accept the ring, this proceeding, however irregular and
reprehensible, constitutes a marriage perfectly valid in the eyes of
the law.
Larpent, writing from France, but imbued with an ordinary English
prejudice, which is apt to ridicule unfamiliar things and lose sight
of reasons for customs, blurts out this: “I have been to the Jew’s
wedding. The ceremony consists principally of singing and drinking
and blessing in Hebrew. There must be something Jewish, however, as
usual, and that is concerning the ring, which, as soon as produced,
is shown round to all the rabbis near and some elders, etc., and to
the sponsors, to be sure it is really gold or otherwise the marriage
is void; and the true old clothesman-like way in which they all
spied at the ring was very amusing. Nearly the last ceremony is the
bridegroom’s smashing a wine-glass in a plate on the floor, with an
idea that he and his spouse are then as difficult to separate as it
would be to re-unite the glass. The gentleman showed gallantry by
exerting all his force and looking most fiercely as he broke the
glass.”[352]
Public-domain text, read in full here on John Shaqi.
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