The history and poetry of finger-ringsEdwards, Charles
History
The history and poetry of finger-rings
Edwards, Charles
Rings
When a wealthy Egyptian had been embalmed and placed in a superb case
or coffin, with a diadem on his head and bracelets upon his arms,
rings of gold, ivory and engraved cornelian were placed upon his
fingers.[59]
Contrary to what might have been supposed, the British Museum is not
rich in rings. Through a dear friend, the author is able to give
drawings of a few of its treasures, and the following extract from a
letter: “They can trace none of their rings with any certainty. The
collection is not large, and has been bought at various times from
other collections and private sources, which could give no history,
or, if attempted, none that can be relied on. Mr. Franks, the curator
of this department, kindly made the impressions I send of those he
considered most curious, and selected the others for me.”
[Illustration: (Isis and Serapis Ring)]
Here is one of those rings. It bears the heads of Isis and Serapis.
A similar ring (perhaps the same) is figured in Caylus,[60] who
observes on the singularity of form and the ingenuity attendant
upon shaping it, while it is considered extremely inconvenient to
wear. It would, however, suit all fingers, large or small, because
it can be easily diminished or widened. The two busts are placed
at the extremities of the serpent which forms the body of the ring
contrariwise--if we may be allowed the expression--so that whatever
position or twist is given to the ring, one of the two heads always
presents itself in a natural position. The ring given by Caylus
was found in Egypt, but is said to be of Roman workmanship and made
when the former was under the dominion of the Romans; and he hints
that the heads may represent a Roman emperor and empress under the
forms of Isis and Jupiter Serapis, adding, “I will not hazard any
conjecture on the names that may be given them. I will content myself
with saying that the work is of a good time and far removed from the
lower empire; and I will add, that the quantity of rings which were
wrought for the Romans of all the states may serve to explain the
extraordinary forms which some present to us.”
[Illustration: (Romano-Egyptian Isis and Serapis Ring)]
Here is another, from the British Museum, in which Isis and Serapis
appear, singularly placed. This ring is Romano-Egyptian, and of
bronze.
Here are two, Etruscan, from the same source, with an impression from
each.
[Illustration: No. 1. No. 2.]
They are both of gold, while No. 2 has a white stone which works upon
a swivel.
We add, in this portion of our book, another from the British Museum.
It is worked from Greek or Etruscan gold, and was found in the
Abruzzi.
[Illustration: (Abruzzi Ring)]
Illustrations of some of the Egyptian seal-rings contained in the
British Museum, will be found in Knight’s Pictorial Bible, at the end
of the third chapter of Esther.
Public-domain text, read in full here on John Shaqi.
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